Artist Robert Smithson is best known as a major proponent of Land Art, visiting quarries, industrial sites, and abandoned wastelands in New Jersey and its surrounding states throughout the late 1960s. He would go on to work in the deserts of the Southwest, with his seminal Spiral Jetty , a land sculpture made of mud, salt crystals, and basalt rocks, produced on the northern shore of Utah’s Great Salt Lake. While his early work largely consisted of paintings and drawings, he later began to produce Minimalist sculpture before producing more monumental work, moving earth and land in order to create interventions that would alter the landscape. Alongside his visual practice, Smithson wrote a number of theoretical texts outlining the influence of temporal considerations and the relationship between a work of art and the surrounding environment to his work.
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...