Forking Sprawl

1971 - Drawing & Print (Drawing & Print)

Robert Smithson

year born: 1938
gender: male
nationality: American
home town: Passaic, New Jersey

Artist Robert Smithson is best known as a major proponent of Land Art, visiting quarries, industrial sites, and abandoned wastelands in New Jersey and its surrounding states throughout the late 1960s. He would go on to work in the deserts of the Southwest, with his seminal Spiral Jetty , a land sculpture made of mud, salt crystals, and basalt rocks, produced on the northern shore of Utah’s Great Salt Lake. While his early work largely consisted of paintings and drawings, he later began to produce Minimalist sculpture before producing more monumental work, moving earth and land in order to create interventions that would alter the landscape. Alongside his visual practice, Smithson wrote a number of theoretical texts outlining the influence of temporal considerations and the relationship between a work of art and the surrounding environment to his work.


Colors:



Related works featuring themes of: » Art That Plays With Scale, » Collage, » Design, » Industry, » Land Art, » American

Untitled
© » KADIST

Gabriel Sierra

2010

Untitled consists of a small wooden sculpture that leans against a wall...

Fashion Designer Marc Jacobs Is Selling Off His Entire Art Collection, Including a $3 Million Ed Ruscha - via artnet news
© » LARRY'S LIST

Ed Ruscha

The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....

Ed Ruscha's Poetry of the American Experience
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Ed Ruscha

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No Title (Eh What Do?)
© » KADIST

Raymond Pettibon

The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...

Sign series, #1, #2, #3
© » KADIST

Bjorn Copeland

2009

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...

Office Voodoo
© » KADIST

Haegue Yang

2010

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...

Splinters and Seconal
© » KADIST

Ed Ruscha

1973

In 1970, Ruscha began a series of paintings made from stains...

The Simpson Verdict
© » KADIST

Kota Ezawa

2002

The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...

No Title (Without the comics)
© » KADIST

Raymond Pettibon

2007

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Useless Wonder
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Carlos Amorales

2006

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Knotty Spell in Windy Drapes
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Haegue Yang

2016

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Mapa Mundi BR (postal)
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Rivane Neuenschwander

2007

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Vulnerabilia
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Jonathan Hernández

2008

In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...

Execution Changes #22
© » KADIST

Julian Hoeber

2011

Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Flower Tree
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Choi Jeong-Hwa

2008

The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...

Two Eyes Two Mouth
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Erika Verzutti

2015

Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...