Artist Robert Smithson is best known as a major proponent of Land Art, visiting quarries, industrial sites, and abandoned wastelands in New Jersey and its surrounding states throughout the late 1960s. He would go on to work in the deserts of the Southwest, with his seminal Spiral Jetty , a land sculpture made of mud, salt crystals, and basalt rocks, produced on the northern shore of Utah’s Great Salt Lake. While his early work largely consisted of paintings and drawings, he later began to produce Minimalist sculpture before producing more monumental work, moving earth and land in order to create interventions that would alter the landscape. Alongside his visual practice, Smithson wrote a number of theoretical texts outlining the influence of temporal considerations and the relationship between a work of art and the surrounding environment to his work.
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations...
In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...
AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s...
Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...
Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Martin Creed | The Dick Institute Experience the work of one of this country’s most ingenious, audacious and surprising artists at the Dick Institute ARTIST ROOMS Martin Creed presents highlights from the British artist’s thirty-year career...