Artist Robert Smithson is best known as a major proponent of Land Art, visiting quarries, industrial sites, and abandoned wastelands in New Jersey and its surrounding states throughout the late 1960s. He would go on to work in the deserts of the Southwest, with his seminal Spiral Jetty , a land sculpture made of mud, salt crystals, and basalt rocks, produced on the northern shore of Utah’s Great Salt Lake. While his early work largely consisted of paintings and drawings, he later began to produce Minimalist sculpture before producing more monumental work, moving earth and land in order to create interventions that would alter the landscape. Alongside his visual practice, Smithson wrote a number of theoretical texts outlining the influence of temporal considerations and the relationship between a work of art and the surrounding environment to his work.
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
“Product Recall” is a video perfomative pun on the action recalling memories in the form of a psychoanalytic session and the recall of faulty products from multinational corporations...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...
AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s...
Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations...