Forgotten Statues , 2020 continues the artist’s reflections on power and the fragility of works of art. In this case, it’s no longer about sculptures which are no longer on display but rather those that are on permanent display, fixing the official narrative of art history. In Forgotten Statues , the artist reproduces from memory sculptures from the permanent exhibition of the Art Museum in Cluj. In this case, the seemingly redundant relationship between the original and the copy, which leaves little space for creativity (due to the distortions of memory), suggests the difficulty of overcoming inertia in a society that is not distant enough from its past. While the Ceausescu regime came to an abrupt halt in 1989, it does not seem to have represented a divide that separates the past from the present. The confusion of the past with the present is perpetuated both at the level of our daily life, of the urban reality that surrounds us, as well as at the level of the cultural heritage presented in museums or in the public space. Muresan’s work demonstrates how cultural heritage is presented only partially, in a censored manner, often moving within the confines of a comfort zone that avoids confronting the past.
Ciprian Muresan appropriates historical, political, social and cultural (essentially artistic, literary and cinematographic) references which he re-contextualizes. He analyzes the mechanisms de diffusion of culture, the ambivalent relations between the memory of recent history and the experience of current realities, as well as the relations between political power, religious power and civil society. With simple gestures, themes and methods borrowed from popular culture, he tackles art in an expiatory manner, returning importance to personal expression and experience. Ciprian Muresan belongs to the generation after the fall of the former Communist regime who deal the aftermath of political and social history of his country, in a post-conceptual mode, without necessarily inscribing it within the traditional East/West opposition. Instead, on the contrary, he approaches this history as an integral part of a larger whole, and is interested in questions linked to the disturbances in contemporary society following the declining of Modernist utopias and in the impact of new technologies on our visual culture. Ciprian Muresan was born in 1977 in Cluj, Romania. He lives and works in Cluj, Romania.
Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News) - ArteFuse Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, the first led by the show’s new Director Maike Cruse With 287 premier galleries from 40 countries and territories, Art Basel will once again bring together the international art world at its marquee fair in Basel, Switzerland...
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Le Droit à l’oubli — Musée Transitoire #3 Exposition Techniques mixtes Jean-Charles de Quillacq, vue de l’exposition Le Droit à l’oubli, Musée Transitoire #3 © Musée Transitoire Le Droit à l’oubli Musée Transitoire #3 Encore environ 2 mois : 26 janvier → 30 mars 2024 Date de clôture provisoire Artistes : Bas Jan Ader, Mégane Brauer, Sarah Bucher, A...
Like an Attali report, but different June 15 – July 27, 2008 Curator: Cosmin Costinas With: Yael Bartana, Gregg Bordowitz, Heman Chong, Ciprian Muresan, Deimantas Narkevicius, Redza Piyadasa, Pushwagner, Anatoli Osmolovsky, Mona Vatamanu & Florin Tudor The Attali Report (or the Report of the Commission for the Liberation of French Growth), commissioned by President Sarkozy, was published half a year ago, provoking a long series of discussions, mainly confined to the French public arena and mainly focused on the report’s concrete proposals, set to implement a neoliberal model for the French economy and society...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...
Weekly Southeast Asia Radar: Vietnam's post-war writers; Burmese voices in book | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar BACC October 8, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Weekly Picks: Malaysia (26 Nov – 2 Dec 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 26, 2018 Symposium – How Easily Modernism Could Be Disturbed , at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery...
ILHAM Gallery is a trailblazer in the Malaysian art scene (via Luxuo) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 19, 2018 ILHAM Gallery sits like a secret jewel box in the black-ice exterior of Menara ILHAM, where it has played host to celebrated artists and conceptual experimenters since it opened its doors in August 2015...
The photographer capturing the eerie illustrations of Thai legend Hem Vejakorn (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 21, 2018 Photographer Pattana Chuenmana has reimagined the illustrations of Hem Vejakorn, a well-known Thai artist and writer, in moving black-and-white still images...
Elizabeth McAlpine’s work frequently deals with time based issues as well as the experience of watching...
Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...