Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios. These scenes are tangibly atmospheric, visually alluring and often deeply disquieting. Never anchored precisely in time or place, these and the other narratives of Beneath the Roses are rather located in the dystopic landscape of the anxious American imagination. Crewdson’s process and approach are patently cinematic. This series took shape over the course of three years in collaboration with a full production team. His projects are made both on studio soundstages and on location in various small towns. After the photograph is taken, Crewdson continues his obsessive process in post-production, using state-of-the-art digital compositing and special effects. And in the end – like film at its best – Crewdson’s fictions, elaborately staged and plotted though they may be, convey an experience that is intensely real.
Gregory Crewdson works within a photographic tradition that combines the documentary style of William Eggleston and Walker Evans with the dream-like vision of filmmakers such as Stephen Spielberg and David Lynch. Crewdson’s method is equally filmic, building elaborate sets to take pictures of extraordinary detail and narrative portent. When he was ten, Crewdson’s father, a psychoanalyst, took him to see a Diane Arbus exhibition at MoMA, an early aesthetic experience that informed his decision to become a photographer. Crewdson’s everyday scenes with charged, surreal moods hint at the longings and malaise of suburban America. The artist uses “the limitations of a photograph in terms of narrative capacity to have an image that is frozen in time, where there’s no before or after” and has turned that restriction into a unique strength. Gregory Crewdson was born in New York in 1962. He lives and works in New York.
For this series, Philip-Lorca diCorcia walked along Santa Monica Boulevard in Los Angeles in search of models who would be prepared to pose in hotel rooms according to pre- planned scenarios...
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This work presents the image of an immolated monk engraved on a baseball bat...
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The Van Gogh painting that was stolen—and recovered in an Ikea bag—goes on show Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Adventures with Van Gogh blog The Van Gogh painting that was stolen—and recovered in an Ikea bag—goes on show Research reveals that the artist began the work as a winter scene and transformed it into a spring landscape Martin Bailey 9 February 2024 Share Conservator Marjan de Visser examining Van Gogh’s The Parsonage Garden at Nuenen in Spring (March 1884) Depot Boijmans van Beuningen...
FIG OUT 2019 | Exhibition | IMA ONLINE FIG OUT 2019 5 July 2019 - 14 July 2019 IMA gallery TAGS IMA gallery FIGLAB session hall Share Title 「FIG OUT 2019」 Dates Friday 5 July, 2019 – Sunday 14 July, 2019 Site IMA gallery /session hall(Tokyo) Time 11:00 – 19:00 Price Free Event Friday 5 July 19:00〜21:00: Opening Reception TAGS IMA gallery FIGLAB session hall Share Staff Picks HANON Présage / Connotations Yoshinori Mizutani Hideyuki Ishibashi...
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Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...
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Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006...