73 x 58 cm, 29,7 x 21 cm and 29,7 x 21 cm
Forensic Poster was first realized in 2006 and reactivated in 2011; its making consisted of the artist visiting the London School of Criminology and corresponding with the interim director there in order to reproduce a poster by memory. This piece of work is symptomatic of Cooter’s projects which are often arduous enterprises littered with pitfalls, since they imply prospecting and collaborating with third parties whose will determine the success of the project. Forensic Poster consists of a letter, emails and a gouache which translates the artist’s attempt to recreate a poster glimpsed at in one of the study halls of the London Police Department of Forensic Medicine. Against a blood red background, the drawing simulates a manuscript note that has been pinned to the wall with a giant nail which carries the inscription: “Nail em”. At the bottom of the image, the injunction is completed by “With Good Forensics”. The dry formal rendering reinforces the smooth and aggressive message so that the spectator grasps that it caught the artist’s full attention. The rationale for the presence of the correspondence as part of the work isn’t so not much to allow the confrontation between his memory and the original, but to show his dialogue with London Forensics Police. Mike Cooter’s practice interrogates the place of the artist in society and his implication in reality, indeed in most of his projects he works with third parties et integrates them into the artistic process.
Mike Cooter’s practice interrogates the place of the artist in society and his implication in reality, indeed in most of his projects he works with third parties et integrates them into the artistic process. Mike Cooter was born in 1978 in Epson. He lives and works in London.
Ranging from Baudelaire to the Koran, each of Hassan Massoudy’s drawings are titled with a quotation from a text...
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
Robert Courtright — Recovered time — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Robert Courtright — Recovered time — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Robert Courtright — Recovered time Exposition Collage, peinture Robert Courtright Robert Courtright Recovered time Encore 27 jours : 1 février → 9 mars 2024 La galerie Dutko a le plaisir de présenter du 1 février au 9 mars 2024 la première exposition rétrospective de l’artiste américain Robert Courtright (1926-2012) à Paris...
Gilles Aillaud — Animal politique — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gilles Aillaud — Animal politique — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Gilles Aillaud — Animal politique Exhibition Painting Gilles Aillaud, Mangouste, nuit rouge, 1976 Huile sur toile, 97 × 146 cm Collection AdF, courtesy galerie Loevenbruck, Paris © Adagp, Paris, 2023 Gilles Aillaud Animal politique Ends in 3 months: October 4, 2023 → February 26, 2024 Lions, girafes, phoques… Gilles Aillaud, disparu en 2005, a beaucoup peint les animaux, souvent en captivité...
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Director Zeno Graton on ‘The Lost Boys,’ a Queer Love Story Eschewing Shame - Something Curated Share this: Facebook Twitter Tumblr Features Interviews Profiles Guides Jobs Interviews - 11 Dec 2023 - Share Born in Brussels and of Tunisian heritage, film director Zeno Graton presents his acclaimed feature debut, The Lost Boys ...
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Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
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