73 x 58 cm, 29,7 x 21 cm and 29,7 x 21 cm
Forensic Poster was first realized in 2006 and reactivated in 2011; its making consisted of the artist visiting the London School of Criminology and corresponding with the interim director there in order to reproduce a poster by memory. This piece of work is symptomatic of Cooter’s projects which are often arduous enterprises littered with pitfalls, since they imply prospecting and collaborating with third parties whose will determine the success of the project. Forensic Poster consists of a letter, emails and a gouache which translates the artist’s attempt to recreate a poster glimpsed at in one of the study halls of the London Police Department of Forensic Medicine. Against a blood red background, the drawing simulates a manuscript note that has been pinned to the wall with a giant nail which carries the inscription: “Nail em”. At the bottom of the image, the injunction is completed by “With Good Forensics”. The dry formal rendering reinforces the smooth and aggressive message so that the spectator grasps that it caught the artist’s full attention. The rationale for the presence of the correspondence as part of the work isn’t so not much to allow the confrontation between his memory and the original, but to show his dialogue with London Forensics Police. Mike Cooter’s practice interrogates the place of the artist in society and his implication in reality, indeed in most of his projects he works with third parties et integrates them into the artistic process.
Mike Cooter’s practice interrogates the place of the artist in society and his implication in reality, indeed in most of his projects he works with third parties et integrates them into the artistic process. Mike Cooter was born in 1978 in Epson. He lives and works in London.
Gilles Aillaud — Animal politique — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gilles Aillaud — Animal politique — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Gilles Aillaud — Animal politique Exhibition Painting Gilles Aillaud, Mangouste, nuit rouge, 1976 Huile sur toile, 97 × 146 cm Collection AdF, courtesy galerie Loevenbruck, Paris © Adagp, Paris, 2023 Gilles Aillaud Animal politique Ends in 3 months: October 4, 2023 → February 26, 2024 Lions, girafes, phoques… Gilles Aillaud, disparu en 2005, a beaucoup peint les animaux, souvent en captivité...
The Lost Boys: a queer love story set inside a juvenile detention centre | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Film & TV Feature We speak to Belgian filmmaker Zeno Graton about his debut feature film, ‘a real romantic drama’ which follows two young offenders 18 December 2023 Text Nick Chen “I was sick and tired of seeing queer Arab characters being only supporting characters,” says the Belgian filmmaker Zeno Graton...
Robert Courtright — Recovered time — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Robert Courtright — Recovered time — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Robert Courtright — Recovered time Exhibition Collage, painting Robert Courtright Robert Courtright Recovered time Ends in 27 days: February 1 → March 9, 2024 Dutko Gallery is pleased to present, from February 1st to March 9th, 2024, the first retrospective exhibition on the American artist Robert Courtright (1926-2012) in Paris...
From Green to Orange is a series of silver films immersed in a bath of dye and rust...
Weekly Picks: Singapore (4 – 10 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 4, 2019 Not In My Lifetime? by The Finger Players , 5 – 17 March, Gateway Theatre Not In My Lifetime? explores the special education system in Singapore and people in it...
Between Risk and Control: How Mark Rothko Discovered His Signature Style ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Between Risk and Control: How Mark Rothko Discovered His Signature Style Adam Greenhalgh on the American Abstract Painter's Early Years Via Yale University Press By Adam Greenhalgh February 7, 2024 Featured image: Allie Caulfield via Creative Commons In the summer of 1933, Mark Rothko, who was then still known as Markus Rothkowitz, hitchhiked nearly three thousand miles from New York City to his hometown of Portland, Oregon...
SEE WHAT SEE (Feb 2021): DESIRE | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 18, 2021 By Joel Tan Welcome to my new column 1 Does “column” still make sense in the context of a website? for ArtsEquator, where every month I’ll be giving you a little line-up of Singaporean and other Southeast Asian streaming content that I think is interesting and worth talking about in my typically TLDR, long-winded way...
Gilles Aillaud — Animal politique — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Gilles Aillaud — Animal politique — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Gilles Aillaud — Animal politique Exposition Peinture Gilles Aillaud, Mangouste, nuit rouge, 1976 Huile sur toile, 97 × 146 cm Collection AdF, courtesy galerie Loevenbruck, Paris © Adagp, Paris, 2023 Gilles Aillaud Animal politique Encore 3 mois : 4 octobre 2023 → 26 février 2024 Lions, girafes, phoques… Gilles Aillaud, disparu en 2005, a beaucoup peint les animaux, souvent en captivité...
See Highlights from Zona Maco in Mexico City | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Weekly Southeast Asia Radar: Closure of Scala Theatre; Wayang Orang lives on | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar National Geographic Indonesia/Paguyuban Wayang Orang Bharata July 2, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...