Forensic Poster

2006 - Drawing & Print (Drawing & Print)

73 x 58 cm, 29,7 x 21 cm and 29,7 x 21 cm

Mike Cooter


Forensic Poster was first realized in 2006 and reactivated in 2011; its making consisted of the artist visiting the London School of Criminology and corresponding with the interim director there in order to reproduce a poster by memory. This piece of work is symptomatic of Cooter’s projects which are often arduous enterprises littered with pitfalls, since they imply prospecting and collaborating with third parties whose will determine the success of the project. Forensic Poster consists of a letter, emails and a gouache which translates the artist’s attempt to recreate a poster glimpsed at in one of the study halls of the London Police Department of Forensic Medicine. Against a blood red background, the drawing simulates a manuscript note that has been pinned to the wall with a giant nail which carries the inscription: “Nail em”. At the bottom of the image, the injunction is completed by “With Good Forensics”. The dry formal rendering reinforces the smooth and aggressive message so that the spectator grasps that it caught the artist’s full attention. The rationale for the presence of the correspondence as part of the work isn’t so not much to allow the confrontation between his memory and the original, but to show his dialogue with London Forensics Police. Mike Cooter’s practice interrogates the place of the artist in society and his implication in reality, indeed in most of his projects he works with third parties et integrates them into the artistic process.


Mike Cooter’s practice interrogates the place of the artist in society and his implication in reality, indeed in most of his projects he works with third parties et integrates them into the artistic process. Mike Cooter was born in 1978 in Epson. He lives and works in London.


Colors:



Related works sharing similar palette  
» see more

Anne Bass, the Philanthropist and Art Collector Who Captivated New York’s High Society, Has Died at 79 - via artnet news
© » LARRY'S LIST

The philanthropist Anne Bass, who made her mark in Texas and New York, was a staunch supporter of the ballet and various art museums....

From Mailman to Art Collector: Kerry Davis, with Wife Betty, Have Amassed a Collection of Top-Notch African-American Art - The Day
© » LARRY'S LIST

For those people who think art collectors only consist of the super-wealthy, consider this: Kerry Davis was a mailman and his wife, Betty, was a TV news producer in the mid-1980s when they started the......

'Homoerotic, sexualised' Jesus poster sparks outrage in Spain
© » FRANCE24

'Homoerotic, sexualised' Jesus poster sparks outrage in Spain - In the press Skip to main content 'Homoerotic, sexualised' Jesus poster sparks outrage in Spain Issued on: 30/01/2024 - 11:19 07:56 IN THE PRESS © FRANCE 24 By: Dheepthika LAURENT IN THE PRESS – Tuesday, January 30: We take a look at the French and European papers after French farmers blockade the majors roads leading to Paris in a protest over their working conditions and pay...

These Days
© » KADIST

David Maljkovic

2005

This video was filmed in the middle of the Zagreb fair which took place in the 1960s and 1970s under the rule of Tito...

Related works found in the same semantic group  
» see more

Mother's Tongue
© » KADIST

Wingyee Wu, Lap-See Lam

2018

Chinese restaurants have been a familiar feature of Swedish cities since the late 1970s, embodying the foreign and the exotic...

COVID-19: Labor Camp Reports
© » KADIST

Piotr Szyhalski

2020

The series of ink drawings and hand-lettered texts, titled COVID-19: Labor Camp Reports , were made and posted daily by artist Piotr Szyhalski on the @LaborCamp Instagram account, capturing the politically fraught Trump era and looking directly at some of the most painful aspects of life during COVID-19...

Erich Brechbühl
© » UNRATED

Erich Brechbühl — UNRTD™ Erich Brechbühl Erich Brechbühl is a Lucerne based independent graphic designer focused on poster and corporate design...

Comparative Monument (Palestine)
© » KADIST

Tom Nicholson

2012

Tom Nicholson’s Comparative Monument (Palestine) engages a peculiar Australian monumental tradition: war monuments that bear the name “Palestine”...