In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry. When his rubber trees died from disease and his primarily indigenous workforce revolted, his enterprise went busts within a few short years. Ford never faulted his own planning, but instead blamed the “inhospitable” Brazilian landscape. These topographical maps present different locations related to Fordlândia’s history: a current Fordlândia satellite image of the abandoned rubber plantation built by Ford in 1928, juxtaposed with postindustrial landscapes from Detroit, Dallas, and Los Angeles, is printed on the back side of the folded mapsculpture.
Clarissa Tossin’s photographs, videos, and installations are active investigations into the workings of urban planning and labor politics. The artist draws poignant parallels among historical events, creating engaging narratives that are also often subversive. Many of her works are concerned with what could be called a topography of place. Focusing on the promises, legacies, and failings of modernity, globalism, and utopian idealism, much of her work concentrates on cultural and economic connections between the United States and Latin American countries. Tossin’s most recent artwork, Archaeology of the Present, investigates the link between Indigenous civilizations and current Los Angeles via the lenses of gender and appropriation.
Black History and Love Intertwine at February Bay Area Concerts | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Black History and Love Intertwine at These February Bay Area Concerts Andrew Gilbert Feb 7 Save Article Save Article Failed to save article Please try again Email Mary Stallings performs at Keys Jazz Bistro on Feb...
Air Con: Who Do You Want To Be When You Grow Up? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 8, 2021 By Dhinesha Karthigesu (1,330 words, 5-minute read) Who do you want to be when you grow up? At the end of the play AIR CON , the character William (Nick Davis) asks the character Asif (Ryan Lee Bhaskaran) this question...
50 Questions With Juergen Teller | AnOther December 13, 2023 Text Ted Stansfield Lead Image Self-Portrait with pink shorts and balloons, Paris, 2017 © Juergen Teller, All rights Reserved It’s not an overstatement to say that Juergen Teller is one of the most influential photographers working today...
N°001 Djoubi et sa meute is part of a series of photographs by Laura Henno titled Ge Ouryao! ...
Got Your Back by Gisela McDaniel depicts two women of color from different ethnic backgrounds who share similar violent experiences...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Podcast 45: On Southeast Asian Film with Rithy Panh and Park Sungho | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 23, 2018 Duration: 35 mins At SeaShorts 2018 , which took place from 1 – 5 August 2018 in George Town, Penang, we caught up with Cambodian film director, screenwriter and producer Rithy Panh, and Park Sungho, programmer for S-Express Cambodia (a selection of Cambodian short films at SeaShorts), who’s also a programmer for the Cambodia International Film Festival ...