Fordlândia Fieldwork

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...

With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...

Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...

Podcast 106: Boom | ArtsEquator Skip to content In our latest podcast, we discuss Boom, a production by A Mirage which took place on 1-20 July 2022...

Patrizia Sandretto Re Rebaudengo, Dimitris Daskalopoulos, and Paul Ettlinger sit down to discuss how art collecting has evolved....

The triptych Black Star Press is part of the series ‘The Black Star Press project’ initiated in 2004 by the American artist Kelley Walker...

BOMB Magazine | Monica Sorelle Interviewed Necessary (Required) Cookies that the site cannot function properly without...

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....

Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*...

San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...

Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities...

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...

Giant Rubber Duck artist on why size matters – ‘instead of us looking at it, it is now looking at us’ – and his miniatures on show in Seoul | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Dutch artist and “Rubber Duck” creator Florentijn Hofman in Hong Kong in June 23 for the return of his giant inflatable artwork to Victoria Harbour, this time with a twin...

Ambiguous Gestures takes as its point of origin a film Gmelin discovered in his father’s archive...

The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...