Flight Rehearsals focuses on Subbaiah’s desire to fly as a means to highlight the relationship between human ambition and limitations of the physical world. The video presents philosophical explorations of the human desire to defy gravity and time. The minimalist set of a table highlights the intention and persistence of the protagonist rather than technological innovation. The video manipulates the camera angle to distort the appearance of space so that Subbaiah’s repeated attempts at beating gravity can achieve momentary flights. As the flight attempts move into the bedroom, what first appears to be a close up of an alarm clock turns out to be an oversized ringing alarm clock further back to create a distortion of space through manipulations in scale. Such effects highlight both the proximity and distance between apparent success and distorted perception.
Born in Sidpur and living in Bangalore, Kiran Subbaiah works in a variety of media that includes assemblage, video and internet art after initial training as a sculptor. His works examine the relationships of use and value in everyday objects through subverting form and function. Constructing paradoxes through deadpan and humor, Subbaiah’s works also manipulate the object in an act of emancipation in order to highlight art’s autonomy from having to serve a purpose. Moreover, Subbaiah is interested in the relationship between human subjects and their apparent doubles in photography and video.
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The Big Review: Caspar David Friedrich at the Hamburger Kunsthalle ★★★★★ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions review The Big Review: Caspar David Friedrich at the Hamburger Kunsthalle ★★★★★ This curatorial triumph highlights the measured artificiality of the German Romantic artist who made work that still mesmerises J...
Quietly, After a $4 Million Fee, MoMA Returns a Chagall With a Nazi Taint - The New York Times Arts | Quietly, After a $4 Million Fee, MoMA Returns a Chagall With a Nazi Taint https://www.nytimes.com/2024/02/12/arts/chagall-moma-return-over-vitebsk.html Share full article 25 Advertisement SKIP ADVERTISEMENT For years, “Over Vitebsk” occupied a central place in the collection of the Museum of Modern Art, which spoke of Marc Chagall’s painting of his hometown in the Russian empire as an important part of its holdings...
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U...
he woke up with seeds in his lungs by Prajakta Potnis is a set of x-ray films presented through backlit light boxes of found objects constructed to evoke the body or organs that turns the host into a foreign element...
Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel...
These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...
In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...
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The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...