63 x 32 x 122 cm
Flesh in Stone – Ghost No. 1 is a stunning series of cement made body parts in various scales and movements, along with components such as iron and plaster molds to emphasize their tension. The “incompleteness” of Flesh in Stone weakens the figurative image itself, thus shifting the viewer’s focus onto the relationship between the rough material and the ideal rounded body shapes. This work is a striking metaphor of individualization, confinement, control and voluntary bondage in contemporary China and beyond.
Yu Ji is a precise artist with multiple preoccupations, references, and interests; she comes from a long tradition of erudite, polymath approaches to art making. She is very much involved with the broader community, having run one of the crucial artist-run spaces in Mainland China for many years. Graduated from the Department of Sculpture at the Fine Art College of Shanghai University, Yu Ji also received a master degree. She is known for the diversity of her practice, dealing chiefly with sculptures and installations along with performances and videos. Her long-term interest has been an ongoing investigation into specific loci that are charged with geographical and historical narratives. She frequently conducts field research and is keen on creating bodily interventions in different sites.
Vija Celmins | Hatton Gallery See the work of Latvian-American artist Vija Celmins at the Hatton Gallery, Newcastle ARTIST ROOMS Vija Celmins takes an in-depth look at the artist’s works on paper...
Ambiguous Gestures takes as its point of origin a film Gmelin discovered in his father’s archive...
Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Gildas Le Reste — & Guests Exhibition Drawing, print, painting Gildas Le Reste, Notes de voyage #1, 2023 Ink on paper mounted on canvas Gildas Le Reste & Guests Ends in 27 days: January 27 → March 9, 2024 Galerie Catherine Putman has pleasure in making a double invitation to Gildas Le Reste as both artist and exhibition curator...
After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures...
Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines...
Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...
Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
The point of departure for Xar – Sueño de obsidiana by Edgar Calel is a poem that the artist wrote in Maya Kaqchikel...
Société Anonyme: Week 5 March 3 – 16, 2008 Saturday, March 8, from 6 – 9 p.m Presentation of “Art conceptuel, une entologie” (Editions MIX, edited by Gauthier Herrmann, Fabrice Reymond & Fabien Vallos) “Art Conceptuel, une entologie” is a collective translation experience of 278 conceptual artworks, most of them available for the first time in French...