Flag (Thames) 2016
2016 - Film & Video (Film & Video)
John Gerrard
Flag (Thames) 2016 depicts a small section of the Thames River—one that is adjacent to the Palace of Westminster in London—as an algorithmic representation on an LED panel. The river color is vividly represented with reflections of buildings along the riverbank, including Big Ben. At the center of the scene sits a simulated gasoline spill. The depiction accurately refracts the light and creates a vivid prismatic patch, endlessly shifting in shape over time and appearing in direct relation to the precise time of day in London. The point-of-view of the camera in the work circles this changing shape, as Flag (Thames) unfolds over a 365-day solar cycle of night and day. The soft undulation of the waves animates the scene and gives rise to the title of the work. The power of Flag (Thames) lies in its simplicity. It embodies all of the strengths of his larger work, but its technical and conceptual complexity are manageable. (The oil spill alludes to the artist’s longstanding interest in addressing the perniciousness of the oil industry.) His work can be described as existing in post-cinematic, non-linear time, sequences produced and discarded in the time it takes the computer to execute the complex codes in which they are written. His work both transcends and immortalizes their subjects.
For more than two decades, John Gerrard has produced media work that has harnessed the emergent technologies of programming languages and gaming engines, and transmuted them into landscapes and portraits of ever increasing intricacy and autonomy. Gerrard works with a small team and creates complex algorithmic generators of simulated images. His projects exist as pieces of software. That piece of software needs a powerful machine, such as a gaming-type of machine. While some of his work are manifested as a projection, others exist as an object, or as an LED wall. The only place his art cannot exist is online, because his scenes are too dense and too complex to function in that space at present. Born 1974 in Ireland, John Gerrard received a degree in sculpture from the Ruskin School at the University of Oxford in 1997. He went on to pursue graduate studies at the School of the Art Institute of Chicago and at Trinity College, Dublin. He has spent twenty years going beyond the artificial look of 3D animation, beyond what Hito Steyerl and Ed Atkins leave as recognizable. Instead, Gerrard’s work speaks to the present as well as to the histories of photography, and even to the histories of cinema.
Colors:
Related works sharing similar palette
© » DIANE PERNET
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...
© » KADIST
Maria Taniguchi
2012Untitled (Celestial Motors) is a visual meditation on an icon of modern urban Philippine life—the jeepney...
© » KADIST
Bruno Serralongue
2008The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture...
© » KADIST
Oded Hirsch
2012Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
© » KADIST
Jason Meadows
2011Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious...
© » ARTSJOURNAL
Activision Blizzard to pay $50 million to settle lawsuit - Los Angeles Times Copyright © 2023, Los Angeles Times | Terms of Service | Privacy Policy | CA Notice of Collection | Do Not Sell or Share My Personal Information Advertisement Company Town Activision Blizzard to pay roughly $50 million in California discrimination case settlement The Activision Blizzard Booth during the 2013 Electronic Entertainment Expo in Los Angeles...
© » KADIST
Mikhael Subotzky
2006At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West...
© » THEARTNEWSPER
In pictures: focus on Caribbean artists Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: focus on Caribbean artists María Elena Ortiz, curator at the Modern Art Museum of Fort Worth, picks her favourite works at Art Basel in Miami Beach Alexander Morrison 9 December 2023 Share April Bey, COLONIAL SWAG: Not Conceited, CONVINCED! (2023) © Liliana Mora María Elena Ortiz is a trailblazing curator at the Modern Art Museum of Fort Worth (the Modern), but she also has close ties to South Florida...
© » KADIST
Sabelo Mlangeni
2019The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
© » SLASH PARIS
Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Nina Azoulay — Comme un rond dans un carré Exhibition Installation, sculpture Closing Nina Azoulay, Olivia, 2024 © Nina Azoulay Nina Azoulay Comme un rond dans un carré Ends in 7 days: January 11 → February 18, 2024 La Project Room est le nouvel espace prospectif et expérimental du Frac qui prend place dans la dernière salle du Plateau...
© » CONTEMPORARYAND
Lesley Lokko Receives Royal Gold Medal 2024 for Architecture | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News Lesley Lokko Receives Royal Gold Medal 2024 for Architecture One of the world’s highest honours in architecture goes to architect, educator, author and curator Lesley Lokko...
© » LITHUB
How Ai Weiwei Marries Advocacy and Art at Home and Abroad ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In How Ai Weiwei Marries Advocacy and Art at Home and Abroad From His Graphic Memoir, "Zodiac" Via Ten Speed Press By Ai Weiwei, Elettra Stamboulis and Gianluca Costantini January 30, 2024 The following is from Zodiac: A Graphic Memoir by Ai Weiwei with Elettra Stamboulis, illustrated by Gianluca Constantini...
© » KADIST
Newell Harry
2015(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice...