7 minutes
Montemozolo writes of the work: “ Fireflies is the result of a sudden event—and its transformation/translation into an art work—that erupts within a life, altering its flow, suspending it, creating a momentary intensity and deviation of the flow, channeling it somewhere unexpected. This unforeseen deviation is dissected in terms of affects in the time frame of 5 minutes. The affects that emerge in the piece are characterized by a sense of movement between pain and hope, and a work of association between cancer and expectancy. The concept of resistance and fireflies is taken from [Georges] Didi-Huberman’s work on the political relevance of the survival of fireflies as a metaphor for the contemporary importance of an intermittent resistance opposed to an inoperable, redemptive, absolute one.”
Born in Rome, Fiamma Montezemolo is both a cultural anthropologist (PhD, University of Naples) and an artist (MFA, San Francisco Art Institute). Not surprisingly then, she situates her art practice as a critical response to the “ethnographic turn” that was prevalent in contemporary art during the 1990s. In addition to ethnography—a research method adopted as a “medium” by many artists—Montezemolo works with various media including installation, cartography, video, digital photography, industrial materials, performance, and archival documents. Her art practice straddles various disciplines, sensibilities, and methodologies, including institutional critique, social art, and indigenous media.
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 For the benefit of the possible intelligences that may find these treasures after humans have long gone, we have translated one of the photographs of our wheat gleaning ceremony in Singapore into binary code...
In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale ...
Crafted Elegance: Hendrick’s Gin And Artist Boris De Beijer Unveil Limited Edition Cocktail Glasses - IGNANT Words: IGNANT magazine Photographer: Clemens Poloczek Name Boris De Beijer Images Clemens Poloczek Words IGNANT magazine Hendrick’s Gin has joined forces with artist and glassblower Boris de Beijer for an exclusive partnership as part of this year’s festive campaign...
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
One Universe, One God, One Nation was inspired by Hannah Arendt’s analysis of space exploration and by the astrological horoscope of Chinese political and military leader Chiang Kai-shek (1887-1975)...
Through the language of dance and choreography, Void by Joshua Serafin narrates the creation of a new God, the birth of a futuristic deity...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
The short film I Can Only Dance to One Song by Arash Fayez features a series of people from the migrant community in Barcelona singing along or dancing to songs of their choosing...
Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris Login Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exhibition Drawing, installation, mixed media Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Ends in about 2 months: February 3 → March 30, 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...