7 minutes
Montemozolo writes of the work: “ Fireflies is the result of a sudden event—and its transformation/translation into an art work—that erupts within a life, altering its flow, suspending it, creating a momentary intensity and deviation of the flow, channeling it somewhere unexpected. This unforeseen deviation is dissected in terms of affects in the time frame of 5 minutes. The affects that emerge in the piece are characterized by a sense of movement between pain and hope, and a work of association between cancer and expectancy. The concept of resistance and fireflies is taken from [Georges] Didi-Huberman’s work on the political relevance of the survival of fireflies as a metaphor for the contemporary importance of an intermittent resistance opposed to an inoperable, redemptive, absolute one.”
Born in Rome, Fiamma Montezemolo is both a cultural anthropologist (PhD, University of Naples) and an artist (MFA, San Francisco Art Institute). Not surprisingly then, she situates her art practice as a critical response to the “ethnographic turn” that was prevalent in contemporary art during the 1990s. In addition to ethnography—a research method adopted as a “medium” by many artists—Montezemolo works with various media including installation, cartography, video, digital photography, industrial materials, performance, and archival documents. Her art practice straddles various disciplines, sensibilities, and methodologies, including institutional critique, social art, and indigenous media.
The video I am protesting against myself presents a puppet in a garbage can citing numerous reasons why one should protest against it...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exposition Dessin, installations, techniques mixtes Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Encore environ 2 mois : 3 février → 30 mars 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...
Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope...
Weekly Picks: Malaysia (12–18 Nov 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 12, 2018 Bisikan Monsoon — Open Rehearsal , at Selangor & KL Kwang Tung Association, 13 Nov, 5:30pm An invitation to view the rehearsals for Kwang Tung Dance Company’s Bisikan Monsoon (the show is travelling to China later in the month)...
Female artists, art biennial to grace National Gallery this year (via The Jakarta Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Splash: Prelude II (2015) by Kinez Riza January 15, 2019 Indonesia’s arts scene is by no means lacking, yet most of its big names are men, with notable female artists largely unexplored...
To the Cardinal Gods: Central Axial Consecration (Site 6) is from a 2017 series made by Ren Zi during a residency in the Arctic Circle...
Participants include American Artist (artist); Anti-Eviction Mapping Project (data-visualization, data analysis, and storytelling collective); Jérôme Bel (choreographer); James Bridle (writer, artist, and technologist); Kate Crawford (Distinguished Research Professor at NYU); Martha Kenney (Assistant Professor of Women and Gender Studies at San Francisco State University); Laura Kurgan (Professor of Architecture at GSAPP, and Director, Center for Spatial Research, Columbia University); Trevor Paglen (artist and researcher); Gala Porras-Kim (artist); Kameelah Janan Rasheed (artist and learner); Steve Rowell (artist); Davide-Christelle Sanvee (performance artist); and Andros Zins-Browne (choreographer)...
Resilient Currents: On Communal Re-Existence — Forma — Exhibition — Slash Paris Login Newsletter Twitter Facebook Resilient Currents: On Communal Re-Existence — Forma — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Resilient Currents: On Communal Re-Existence Exhibition Mixed media Upcoming Seba Calfuqueo, Miroir d’eau (capture d’écran), 2023 Courtesy de l’artiste Resilient Currents: On Communal Re-Existence In about 1 month: March 21 → April 25, 2024 In anticipation of La Collective, its future creation and solidarity center, Thanks for Nothing presents its first international exhibition, which focuses on socially engaged practices related to Central and South America...