Fireflies

2011 - Film & Video (Film & Video)

7 minutes

Fiamma Montezemolo


Montemozolo writes of the work: “ Fireflies is the result of a sudden event—and its transformation/translation into an art work—that erupts within a life, altering its flow, suspending it, creating a momentary intensity and deviation of the flow, channeling it somewhere unexpected. This unforeseen deviation is dissected in terms of affects in the time frame of 5 minutes. The affects that emerge in the piece are characterized by a sense of movement between pain and hope, and a work of association between cancer and expectancy. The concept of resistance and fireflies is taken from [Georges] Didi-Huberman’s work on the political relevance of the survival of fireflies as a metaphor for the contemporary importance of an intermittent resistance opposed to an inoperable, redemptive, absolute one.”


Born in Rome, Fiamma Montezemolo is both a cultural anthropologist (PhD, University of Naples) and an artist (MFA, San Francisco Art Institute). Not surprisingly then, she situates her art practice as a critical response to the “ethnographic turn” that was prevalent in contemporary art during the 1990s. In addition to ethnography—a research method adopted as a “medium” by many artists—Montezemolo works with various media including installation, cartography, video, digital photography, industrial materials, performance, and archival documents. Her art practice straddles various disciplines, sensibilities, and methodologies, including institutional critique, social art, and indigenous media.


Colors:



Related works sharing similar palette  
» see more

Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile
© » ARTS EQUATOR

Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 For the benefit of the possible intelligences that may find these treasures after humans have long gone, we have translated one of the photographs of our wheat gleaning ceremony in Singapore into binary code...

Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine
© » SLASH PARIS

Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exposition Dessin, installations, techniques mixtes Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Encore environ 2 mois : 3 février → 30 mars 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...

Related works found in the same semantic group  
» see more

And so it is 3,200.00
© » KADIST

Michael Armitage

2015

In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...

And shadows will follow
© » KADIST

Thea Djordjadze

2010

The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view...

Untitled
© » KADIST

Apostolos Georgiou

2016

Untitled (2016) is characteristic of the artist’s practice...

After the Archive Collections Room
© » KADIST

Andrew Grassie

2009

In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...