23.62 x 18.11 x 18.11 inches (60 x 46 x 46 cm)
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
Artist and writer Walead Beshty examines the processes of his own multidisciplinary (though primarily photographic) work’s production, linking these processes to global issues including human migration,displacement, and technology. His works, oftentimes visually abstracted, argue for their own production as a process of transformation, emphasizing an expansive array of actions and methods through which art can be structurally transformed or produced. In this way, by examining the matrix of production surrounding his individual artworks, Beshty’s introspection also expands outward onto a complex field of vectors connecting actions, subjects, structures, and forms. Beshty explores the limitations and possibilities of his mediums, which include photography, light, metal, glass, cardboard, and, often, distance. Often striking in their visual presence, his work reflects the movement of images and objects, both in a literal sense and in terms of the way that ideas and materials are circulated and exchanged. They also convey another narrative: the history and the processes that construct both the world and his art.
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exhibition — Slash Paris Login Newsletter Twitter Facebook Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Valérie Jouve — Le monde est un abri Exhibition Photography, video Upcoming Sans titre (Les Façades), 2020-2023 / Sans titre (Les Personnages avec Abu Hassan), 2009, courtesy de l’artiste et de la galerie Xippas (Paris, Genève, Punta del Este) Photomontage Courtesy de Valérie Jouve et de la galerie Xippas (Paris, Genève, Punta del Este) Valérie Jouve Le monde est un abri In about 2 months: February 11 → April 14, 2024 Après la parution en novembre 2022 de son dernier livre ( Valérie Jouve , Flammarion/ CNAP ) mettant en récit quinze années de travail, Valérie Jouve formule une nouvelle proposition pour le vaste espace du Centre Photographique d’Île-de-France (Pontault-Combault, Seine-et-Marne)...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
5 Standout Shows to See at Small Galleries This November | Artsy Skip to Main Content Advertisement Art 5 Standout Shows to See at Small Galleries This November Maxwell Rabb Nov 17, 2023 1:00PM Lesia Vasylchenko Tachyoness , 2022 Catinca Tabacaru Gallery Sold María Fragoso Jara Bébete mi amor , 2023 1969 Gallery Sold In this monthly roundup, we shine the spotlight on five stellar exhibitions taking place at small and rising galleries worldwide...
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...