23.62 x 18.11 x 18.11 inches (60 x 46 x 46 cm)
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
Artist and writer Walead Beshty examines the processes of his own multidisciplinary (though primarily photographic) work’s production, linking these processes to global issues including human migration,displacement, and technology. His works, oftentimes visually abstracted, argue for their own production as a process of transformation, emphasizing an expansive array of actions and methods through which art can be structurally transformed or produced. In this way, by examining the matrix of production surrounding his individual artworks, Beshty’s introspection also expands outward onto a complex field of vectors connecting actions, subjects, structures, and forms. Beshty explores the limitations and possibilities of his mediums, which include photography, light, metal, glass, cardboard, and, often, distance. Often striking in their visual presence, his work reflects the movement of images and objects, both in a literal sense and in terms of the way that ideas and materials are circulated and exchanged. They also convey another narrative: the history and the processes that construct both the world and his art.
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
Dans « Daaaaaalí ! », les inventions cinématographiques de Quentin Dupieux dignes du peintre surréaliste Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Le peintre Salvador Dali (1904-1989), sur le toit de sa maison, à Cadaqués (Espagne), en septembre 1968...
The Van Gogh painting that was stolen—and recovered in an Ikea bag—goes on show Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Adventures with Van Gogh blog The Van Gogh painting that was stolen—and recovered in an Ikea bag—goes on show Research reveals that the artist began the work as a winter scene and transformed it into a spring landscape Martin Bailey 9 February 2024 Share Conservator Marjan de Visser examining Van Gogh’s The Parsonage Garden at Nuenen in Spring (March 1884) Depot Boijmans van Beuningen...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exhibition — Slash Paris Login Newsletter Twitter Facebook Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Valérie Jouve — Le monde est un abri Exhibition Photography, video Upcoming Sans titre (Les Façades), 2020-2023 / Sans titre (Les Personnages avec Abu Hassan), 2009, courtesy de l’artiste et de la galerie Xippas (Paris, Genève, Punta del Este) Photomontage Courtesy de Valérie Jouve et de la galerie Xippas (Paris, Genève, Punta del Este) Valérie Jouve Le monde est un abri In about 2 months: February 11 → April 14, 2024 Après la parution en novembre 2022 de son dernier livre ( Valérie Jouve , Flammarion/ CNAP ) mettant en récit quinze années de travail, Valérie Jouve formule une nouvelle proposition pour le vaste espace du Centre Photographique d’Île-de-France (Pontault-Combault, Seine-et-Marne)...
Emmanuelle Debever: Prosecutors probe death of Gerard Depardieu accuser - BBC News Image source, Les Films du Losange Image caption, A young Emmanuelle Debever, who appeared in several films and television programmes in the 1980s By Hugh Schofield BBC News, Paris Paris prosecutors are investigating the apparent suicide of an actress who alleged she was sexually assaulted decades ago by Gérard Depardieu...
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Martha Wilson — Invisible, Works on Aging (1972-2022) Exhibition Photography Martha Wilson, Beastly + Beauty, 1974 et 2009 Photographies noir et blanc, texte, 43,2 × 59,7 cm, édition de 3 © DR Martha Wilson Invisible, Works on Aging (1972-2022) Ends in 7 months: July 1, 2023 → February 4, 2024 The Frac Sud is pleased to present a major solo exhibition in France by Martha Wilson, a pioneering figure and guiding light of feminist engagement through art...
The installation “East Side Story” is based on events that took place in the streets of Belgrade in 2001 and Zagreb in 2002, during the Gay Pride demonstrations, where the participants were the victims of verbal and physical injury by neo-Nazi groups and other citizens...
Duygu Demir Appointed Curator at the NYU Abu Dhabi Art Gallery Skip to content Duygu Demir (photo by Shiji Ulleri) New York University Abu Dhabi (NYUAD) has appointed art historian and curator Duygu Demir to the post of Curator of the university’s Art Gallery, and Research Assistant Professor of Art History...
In the seminal video Workout , Kanis looks at the phenomenon of exercise in public space—specifically aerobics exercises in parks around Moscow today—as a broader lens for thinking about generational change...
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...