30 x 45 cm
Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza. Batniji addresses the representation of the over-identified human and physical space with the geographical and political situation in the region. He distinguishes himself from the fictions that have been previously created in the Middle East and offers a quieter and more retained vision of the of the intertwining tensions and oppositions in this area. Fathers offers an incomplete inventory of portraits that we often see framed and hanging on the walls of cafes, stalls, shops, workshops and other workplaces in Gaza and the Middle East. Often old and yellowed, sometimes dusty and slanted, these portraits rarely have links to the current owner and they relate instead to the person who founded the place and who left long ago. Since these places are overloaded with symbols and signs of presence (s) and disorder (s) but devoid of human inhabitants, or their owners, they become a particular paradigm of some sort of “still life”. This kind of places seem full (of products, objects, memories and signs of life) and empty at the same time. By overlooking different temporalities, memory and regards, or by being petrified, like ruins after a disaster that nobody will ever know, they belong to the present and to the past. The power of these images lies in what they hold as much as in what they reveal.
The work of Taysir Batniji, a Palestinian artist born in Gaza shortly before the 1967 war and the Israeli occupation, is tainted with manifestations of impermanence and itinerancy, belonging and uprooting, personal memories and historical events. Engaging in a number of different formats, including drawing, installation, photography, video and performance, Batniji has developed a strong, coherent body of work, which observes and treats with a certain sense of poetry, oneirism and sometimes acridity, the topics of migration and identity. Rooted in social and concrete realities, his work stretches the frame of documentary practices to question methods of depiction and narrative making. As Batniji states, “my works are perhaps less concerned with a specific topic or situation, and moreover an inquiry into representation itself” in a way that aims to explore and demystify the liminal space between reality and its representation.
Shahab Fotouhi’s photographic series Establishing Shot; Interior, Night – Exterior, Day; without Antagonist and Extra consists of four C-prints that at first glance would appear to be travel posters for Iran, in that each features a beautifully shot image of an Iranian waterfall...
Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...
A Reader on Post-Colonialism and Decolonial Practices | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Special Focus A Reader on Post-Colonialism and Decolonial Practices We want to share some resources on the important movements that help us to see a more differentiated picture of these complex times...
Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules...
How to Be Photographed: 12 Tips for Putting Your Best Writerly Face Forward ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In How to Be Photographed: 12 Tips for Putting Your Best Writerly Face Forward Michelle Wildgen on the Art of the Author Photo By Michelle Wildgen January 2, 2024 Every few years I write a book...