187 x 143 x 40 cm
In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work. As apparitions or ghosts, the images portrayed appear or vanish in the space as faded recollections of a distant landscape. These impressions appear as oscillatory surfaces that fluctuate between presence and absence; they are contingent objects that shift as a result of their environment. The totality of the image continuously fuses with the space and background. As a result, Fading Fields 7 functions as a constant reminder that it is only through the eyes of the present that we can catch a glimpse of the past and that both the virtual and physical realms merge constantly in the act of remembrance.
Transforming found materials into collages, sculptures, videos, and installations, Elena Damiani critically addresses our understanding of the present by harnessing the potential of images from the past. She is interested in revising subjects such as geology, archaeology, and cartography. By reworking materials such as books, photographs, video footage, and public records, Damiani stages fictions where multiple topographies and times unfold, hovering between an indeterminate past and present. She aims to explore the ways in which specific materials can be presented as incomplete and ambiguous when extracted from their contexts, then recomposed into artworks that emphasize the mutability of cultural objects and information, thereby forming new memory paths and connections.
Letter to a Turtledove by Dana Kavelina is a short film based on a poem written by the artist...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
Oren Pinhassi’s work examines the relationship between the human figure and the built environment...
He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...
The Art of Fashion and Legacy: Carla Sozzani and Byronesque’s Unique Collaboration – A Shaded View on Fashion https://byronesque.com/fondazione_sozzani/ Dear Shaded Viewers, In a remarkable intersection of art and fashion, Carla Sozzani, the revered figure in the world of fashion, has embarked on a unique collaboration with Byronesque...
For the project Aguas calientes Gabriel Chaile exchanged silverware from three popular soup kitchens (mutual aid organizations to provide food for people in need) in Buenos Aires to brand new cooking utensils to shape his project...
Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle...
SEE WHAT SEE: BOYS' LOVE (BL) DRAMAS | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 13, 2021 By Lainie Yeoh I grew up in an era where queer films were rare exceptions and it was your holy gay-af duty to watch all the ones you could access...
Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
Ukraine, vision(s) — Photographie documentaire et littérature en résistance — La Gaîté lyrique — Exhibition — Slash Paris Login Newsletter Twitter Facebook Ukraine, vision(s) — Photographie documentaire et littérature en résistance — La Gaîté lyrique — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Ukraine, vision(s) — Photographie documentaire et littérature en résistance Exhibition Photography Adrienne Surprenant © Adrienne Surprenant / MYOP Ukraine, vision(s) Photographie documentaire et littérature en résistance Ends in 4 months: February 9 → June 9, 2024 Du 9 février au 9 juin, le collectif MYOP invite les auteurs et autrices de PEN Ukraine à créer un dialogue entre écriture et photographie autour de l’Ukraine contemporaine, lors d’une exposition en accès libre à la Gaîté Lyrique...