Exchanging between Turkish Lira and Euros in Istanbul until there is nothing left
2011 - Film & Video (Film & Video)
25:10 minutes
Yoshinori Niwa
Yoshinori Niwa’s investigation into the monetary system and material goods is witnessed across a range of his works. As the title of this work indicates, Niwa visits several currency exchanges in the market in Istanbul and proceeds to continually exchange from one currency into another until he has no money left, going against the grain of the economy. The laborious act of exchanging the currency back and forth does not create any profit. Instead, only time itself disappears – time is arguable to actual common factor between all our existences, and it is monetised accordingly within our society. As a result the staff at the currency exchange offices get increasingly confused and angry, frustrated, perhaps, that the laborious act no longer makes any sense in their business context.
Yoshinori Niwa’s practice takes the form of social interventions, executed through performance, video and installation. Through the construction of absurd scenarios, Niwa deploys a nonsensical vernacular to examine systems of exchange that drive contemporary society, as well as disjunctures in collective conceptions of history, ideology and value —an artistic strategy whose roots can be traced to the post-war Japanese avant-garde. Niwa graduated Tama Art University’s Department of Moving Images and Performing Arts in 2005. Niwa’s work has been exhibited internationally. His latest exhibitions in 2016 include: solo exhibitions at Minatomachi Art Table (Nagoya, Japan) and 1335MABINI (Manila, Philippines); and group shows at Marugame Genichiro-Inokuma Museum of Contemporary Art (Marugame, Japan) and Setouchi Triennale 2016 (Naoshima Island, Japan).Niwa was selected as one of ArtReview’s Future Greats in 2014.
Colors:
Related works sharing similar palette
© » ARTS EQUATOR
Caring for the Carers: How Malaysian artists working with communities hold space | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Syarifah Nadhirah August 12, 2021 By Rahmah Pauzi (1,300 words, 5-minute read) I had forgotten how loaded the words “how are you,” or “apa khabar,” can be...
© » SLASH PARIS
Antoine Grumbach — Les Yeux du Ciel — Jeanne Bucher Jaeger | Paris, Marais Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Jeanne Bucher Jaeger | Paris, Marais Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Antoine Grumbach — Les Yeux du Ciel Exhibition Architecture, urban art, drawing, installation.....
© » 1854 PHOTOGRAPHY
‘I didn't know when it was going to stop’: Inside the machine of motherhood - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images © Pauline Rowan In Between the Gates , new mother Pauline Rowan navigates an often-obscured side of parenthood Pauline Rowan was wholly prepared for the realities of motherhood – or so she thought...
© » SLASH PARIS
Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoine Grumbach — Les Yeux du Ciel Exposition Architecture, art urbain, dessin, installations.....
© » SOUTH CHINA MORNING POST
Floral art by Andy Warhol, Pablo Picasso, Claude Monet and other artists on display at private Deji Art Museum in Nanjing, China | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The exhibition ‘Nothing Still About Still Lifes: Three Centuries of Floral Compositions’ at Nanjing;s Deji Art Museum features more than 100 modern and contemporary artworks, including (above) “Les Amoureux au Bouquet de Fleurs” (1935-1937), by Marc Chagall...
© » KADIST
Philip-Lorca diCorcia
For this series, Philip-Lorca diCorcia walked along Santa Monica Boulevard in Los Angeles in search of models who would be prepared to pose in hotel rooms according to pre- planned scenarios...
© » KADIST
With Martha Araújo, Milena Bonilla, Angelica Mesiti, Shitamichi Motoyuki and Emilija Škarnulyte Curated by Marie Martraire, director of KADIST, San Francisco Reflecting on the relationship between History and memory, the group exhibition Moving Stones focuses on the body as a site of engagement to address our collective past embodied in public monuments...
© » KADIST
Walead Beshty
2011Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
© » KADIST
In conversation with Nataša Petrešin-Bachelez Together they will talk about Marwa Arsanios’ last video “ Falling is not collapsing, falling is extending “, 2016, presented recently at the Hammer Museum (Los Angeles), that looks into the garbage crisis in Beirut and the city’s recent real estate boom...
© » KADIST
Kaoru Arima
2015Arima’s free brushstrokes gesture towards traditions in Expressionist painting, and Ticket could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content...
