30H x 40W inches
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain. This complex network of interwoven signs suggests the unstable and fictional nature of defining of race and class, and in any staging of historical and social narrative.
Stephen G. Rhodes often works in a multiplicity of media that includes painting, sculpture, photography, drawing, and complex animated video installations. Rhodes is deeply interested in deconstructing—through elaborate yet often whimsical narratives that unravel in the exhibition space—American history and mythology.
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Météo des forêts — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook Météo des forêts — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Météo des forêts Exhibition Film, installation, mixed media Upcoming Julien Prévieux et Virginie Yassef, L’Arbre, 2009 — Image : Élie Godard Film Super 8 transféré sur DVD — 7 min 18 — Ed 4 + 2 Courtesy des artistes Météo des forêts In about 1 month: January 18 → April 7, 2024 La MABA présente, du 18 janvier au 7 avril 2024, Météo des forêts : une exposition collective réunissant des travaux d’artistes de diverses générations travaillant différents médiums (dessin, photographie, vidéo, sculpture, installation…)...
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
In 2010, Kadist Art Foundation, David Roberts Foundation and Nomas Foundation successively presented an exhibition of the work of Etienne Chambaud in collaboration with Vincent Normand: The Siren’s Stage / Le Stade des Sirènes...
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
“On April 13 a painting was lost at JFK airport while going through the security screening...
As he investigates the forms that slavery took through different events that occurred during the sixteenth century in the Huasteca region of Mexico, Noé Martínez tells, in a non-linear narrative, the history of human trafficking in Relación de tráfico de personas 1525-1533 I (Study of Trafficking of Persons 1525–1533 I) ...