200 x 130 cm
This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions. The starting point of this work was inspired by private companies which were responsible for the security of the Olympic Games in England and also supply equipment for immigrant detention camps and prisons. This work questions the use of the stadiums other than for sports competitions. Reference is clearly made to the Vélodro me d’Hiver or the detention camps during the Vichy regime under Pinochet or the Talibans but also their requisition during natural disasters like after hurricane Katrina in New Orleans. The lighting creates a frame that obstructs the stadium with a luminous mass in suspension, creating a strange apparition in the darkness and a mixed feeling, between violence and fascination. The title comes from a short poem written by the artist that alludes to separation and distance. These blinding lights replace the moon light. The charcoal is used to create a contrast with this idea of light. This is what remains when the light has been fully consumed and all that is left are ashes. This work is the sequel of a video that dealt with the three adolescents that were electrocuted in Clichy-sous-Bois in 2005 and the protests that followed with the burning of cars.
Haig Aivazian is an artist and a writer, born in 1980 in Beirut and currently based there. Using performance, video, drawing, installation and sculpture, his work weaves together personal and geopolitical, micro and macro narratives in its search for ideological loopholes and short circuits.
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Lesley Lokko Receives Royal Gold Medal 2024 for Architecture | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News Lesley Lokko Receives Royal Gold Medal 2024 for Architecture One of the world’s highest honours in architecture goes to architect, educator, author and curator Lesley Lokko...
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