At every sunset, I think of you
2013 - Drawing & Print (Drawing & Print)
200 x 130 cm
Haig Aivazian
This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions. The starting point of this work was inspired by private companies which were responsible for the security of the Olympic Games in England and also supply equipment for immigrant detention camps and prisons. This work questions the use of the stadiums other than for sports competitions. Reference is clearly made to the Vélodro me d’Hiver or the detention camps during the Vichy regime under Pinochet or the Talibans but also their requisition during natural disasters like after hurricane Katrina in New Orleans. The lighting creates a frame that obstructs the stadium with a luminous mass in suspension, creating a strange apparition in the darkness and a mixed feeling, between violence and fascination. The title comes from a short poem written by the artist that alludes to separation and distance. These blinding lights replace the moon light. The charcoal is used to create a contrast with this idea of light. This is what remains when the light has been fully consumed and all that is left are ashes. This work is the sequel of a video that dealt with the three adolescents that were electrocuted in Clichy-sous-Bois in 2005 and the protests that followed with the burning of cars.
Haig Aivazian is an artist and a writer, born in 1980 in Beirut and currently based there. Using performance, video, drawing, installation and sculpture, his work weaves together personal and geopolitical, micro and macro narratives in its search for ideological loopholes and short circuits.
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Haig Aivazian
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
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For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
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