100 x 760 x 40 cm
Estratos II by artist Cynthia Gutiérrez features a large white plinth with a transversal cut through the lower half, revealing a collection of archeological objects. These pieces of history have seemingly been lost to time and have lived covered under a sterile exterior. To create the ceramic objects for this project, Gutiérrez worked closely with an artist that creates Mesoamerican replicas. Typically a plinth functions to present, support or stabilize an artwork or object, however, Gutiérrez’s work reveals that this foundation also carries an invisible history—remains buried under the surface of the present. As such, the work becomes a metaphor for all histories that are continuously replicated, transferred, and sustained from generation to generation. With this sculpture, Gutiérrez refers to her concern for a world that is about to become extinct. E stratos II alludes to the transient nature of humankind and its histories, its symbols, and idols.
Cynthia Gutiérrez is one of the leading figures of contemporary art in Mexico. Throughout her research-based projects, Gutiérrez navigates the relationship between past and present, memory and oblivion. Her work examines how time impacts both the symbolic and the material world, and how concepts such as nationalism, victory, and triumph are the result of a particular moment of history that could vanish with time. Gutiérrez has utilized a number of mediums including sculpture, video, painting, drawings, and tapestries to investigate the ways in which identity is embedded in objects.
Facing one another, each projection screen of the work Food Fight respectively features Tobias Fike and Matthew Harris preparing multi-course meals at a kitchen counter...
The Defining Artworks of 2023 – ARTnews.com Skip to main content By The Editors of ARTnews Plus Icon The Editors of ARTnews View All December 18, 2023 2:20pm Photo Illustration: Kat Brown/ARTnews Each year, countless new artworks are made and historical ones come into sharper focus as events in the art world and beyond give them new valance...
Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Mumbai blog Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre is an unprecedented but surface-level survey for a broad audience Kabir Jhala 9 February 2024 Share Installation view of Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre, Mumbai Courtesy of NMACC When Nita Ambani, India’s wealthiest woman, opened her eponymous cultural centre in Mumbai last March, many in the art world were intrigued...
Reunion — Hand-Embroidered School Class Portraits - Photographs and text by Diane Meyer | LensCulture Feature Reunion — Hand-Embroidered School Class Portraits By obscuring the faces with embroidery — which would typically be the most important parts of these elementary school class portraits — otherwise overlooked details are brought into focus, such as body language and other embodiments of social convention...
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Air Con: Who Do You Want To Be When You Grow Up? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 8, 2021 By Dhinesha Karthigesu (1,330 words, 5-minute read) Who do you want to be when you grow up? At the end of the play AIR CON , the character William (Nick Davis) asks the character Asif (Ryan Lee Bhaskaran) this question...
Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes...
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