Variable dimensions
Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey. It consisted of a concrete foundation that was free to use by the people of Monterrey. Apart from being used as a platform for a political rally, it was transformed among others into a marketplace, a hangout, until eventually becoming claimed by a man who built his house on it. The house remains there to this day.
Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space. By introducing simple signs or gestures – the construction of a concrete slab, displacement of a portion of bitumen on the side of the road, encroachement of grass on a parking, the three artists interrogate public space as the place of possibilities. Their interventions give users an active status with the power to decide on their own environment. For the Hong Kong architecture biennale, the collective intervened in the exhibition spaces. The intervention consisted in constructing a wall which integrated the word ‘Anarchitecture’ (anarchy + architecture) by omitting certain bricks. Therefore it was as if the word had perforated the wall. Through the wall, the spectator could see the city and its transformations. Thus the spectator was invited to develop his critical outlook on the environment. Formed in 1998, the collective is composed of Julio Castro (b. 1976), Gabriel Cazares (b. 1978), and Rolando Flores (b. 1975).
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
Special programme: Taiwan's artists step out of China's shadow (part 1) - arts24 Skip to main content Special programme: Taiwan's artists step out of China's shadow (part 1) Issued on: 11/01/2024 - 15:18 Modified: 11/01/2024 - 15:27 12:51 FRANCE 24's Alison Sargent takes you to Taipei for a special programme on how the island's artists are stepping out of China's shadow...
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...