Erratum: Brief Interruptions in the Waste Stream exists as performance, sculpture, drawing, video and the printed word. In a short video the two artists Amy Franceschini and Michael Swaine transform a porcelain toilet into bricks in four movements. In quite brutal actions, they use sledgehammers to smash the toilet into small shards that are then reshaped to form a stack of bricks. This action builds upon their earlier work whereby they deconstruct food policies, public transportation, and educational systems in order to create tools to understand and transform their intrinsic logics. Often through their disassembly they find new narratives and potential reconfigurations that propose alternatives to the principles that once dominated these systems. Erratum provides a playful entry point and tools for an audience to gain insight into deeper fields of inquiry – not only to imagine, but also to participate in and initiate change in the places we live. Erratum includes a limited edition book in the form of an ancient Egyptian brick mold which serves as both a document of their performance and a functional tool – an invitation to take action in reversing the long list of societies erratum. Two wooden molds are fused together in a mirror image. Inside one of the molds is a brick made from toilet shards and inside the other mold is a poster printed on handmade paper made from porcelain and paper waste from the Center for the Book. The great porcelain toilet can be seen as a mistake, and Erratum can be seen as an attempt to reverse it – making new molds in order to fill them with new content or material – a symbol of self-reliance and regeneration.
Futurefarmers is an international, trans-disciplinary network. Founded in 1995 as a design studio, over the years, it has included artists, researchers, designers, farmers, scientists, engineers, and architects—all with a common interest in working together on deeply felt, long-term, field sensitive projects that defy current social, political, and economic systems. Futurefarmers involves itself with critical issues of the land and the air, the sea and the seed, rooted in the transformative power of knowledge sharing. The group, which has nodes in Northern California and Belgium, often employs research-oriented workshops, games, and participatory play as a means of engagement, education, and collaboration.
“A Disappearing Number” at NUS Arts Festival 2019: Approaching Infinity | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: NUS Arts Festival March 18, 2019 By Eugene Koh (945 words, five minute read) Part of the NUS Arts Festival 2019, NUS Stage’s A Disappearing Number , directed by Edith Podesta, presents a world of imperfect humans aspiring to fully grasp the wonder of this world...
9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...
In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
Vintage London Palladium Programmes | Londonist In Pictures: Vintage London Palladium Programmes By Robert Opie Robert Opie In Pictures: Vintage London Palladium Programmes Robert Opie, collector and author of numerous works on British nostalgia and ephemera — and founder of London's Museum of Brands — has shared his collection of vintage programmes from the London Palladium with us...
Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu...
The Art We’re Obsessed with in January 2024 | Artsy Skip to Main Content Advertisement Art The Art We’re Obsessed with in January 2024 Artsy Editorial Jan 24, 2024 4:23PM “The Art We’re Obsessed With” is a new monthly series paying homage to the artworks Artsy staff members can’t stop thinking about, and why...
Brent Sikkema, the Manhattan art dealer renowned for representing artists such as Jeffrey Gibson and Kara Walker found dead The post Brent Sikkema – Visionary Art Dealer Of Jeffrey Gibson And Kara Walker Murdered appeared first on Artlyst ....
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
5 Singapore poems not to quote out of context | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Elliot Wong October 13, 2019 By Nabilah Said (2,500 words, 7-minute read) In 1968, Lee Kuan Yew uttered the words “Poetry is a luxury we cannot afford” to a roomful of University of Singapore students...