Erratum: Brief Interruptions in the Waste Stream exists as performance, sculpture, drawing, video and the printed word. In a short video the two artists Amy Franceschini and Michael Swaine transform a porcelain toilet into bricks in four movements. In quite brutal actions, they use sledgehammers to smash the toilet into small shards that are then reshaped to form a stack of bricks. This action builds upon their earlier work whereby they deconstruct food policies, public transportation, and educational systems in order to create tools to understand and transform their intrinsic logics. Often through their disassembly they find new narratives and potential reconfigurations that propose alternatives to the principles that once dominated these systems. Erratum provides a playful entry point and tools for an audience to gain insight into deeper fields of inquiry – not only to imagine, but also to participate in and initiate change in the places we live. Erratum includes a limited edition book in the form of an ancient Egyptian brick mold which serves as both a document of their performance and a functional tool – an invitation to take action in reversing the long list of societies erratum. Two wooden molds are fused together in a mirror image. Inside one of the molds is a brick made from toilet shards and inside the other mold is a poster printed on handmade paper made from porcelain and paper waste from the Center for the Book. The great porcelain toilet can be seen as a mistake, and Erratum can be seen as an attempt to reverse it – making new molds in order to fill them with new content or material – a symbol of self-reliance and regeneration.
Futurefarmers is an international, trans-disciplinary network. Founded in 1995 as a design studio, over the years, it has included artists, researchers, designers, farmers, scientists, engineers, and architects—all with a common interest in working together on deeply felt, long-term, field sensitive projects that defy current social, political, and economic systems. Futurefarmers involves itself with critical issues of the land and the air, the sea and the seed, rooted in the transformative power of knowledge sharing. The group, which has nodes in Northern California and Belgium, often employs research-oriented workshops, games, and participatory play as a means of engagement, education, and collaboration.
“A Disappearing Number” at NUS Arts Festival 2019: Approaching Infinity | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: NUS Arts Festival March 18, 2019 By Eugene Koh (945 words, five minute read) Part of the NUS Arts Festival 2019, NUS Stage’s A Disappearing Number , directed by Edith Podesta, presents a world of imperfect humans aspiring to fully grasp the wonder of this world...
In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
The Art We’re Obsessed with in January 2024 | Artsy Skip to Main Content Advertisement Art The Art We’re Obsessed with in January 2024 Artsy Editorial Jan 24, 2024 4:23PM “The Art We’re Obsessed With” is a new monthly series paying homage to the artworks Artsy staff members can’t stop thinking about, and why...
Weekly Picks: Singapore (11 – 17 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 11, 2019 District 18 by P7:1SMA , organised by Arts in Your Neighbourhood, at Tampines Round Market, 16 – 17 Mar, 12pm Rediscover stories of hawkers and market stall owners of a pasar bulat (wet market), its legacy, and its relevance in today’s age of supermarkets...
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...
Weekly Picks: Indonesia (11-17 February 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do February 11, 2019 Top Picks of Indonesia art events in Jakarta, Bandung, and Bali from 11-17 February 2019 We start this week’s pick in the capital city of Jakarta...
Edith Dekyndt looks at the waters of the Dead Sea, that become almost an abstract undersea landscape...
Glorie #7 by Caspar Heinemann is made from cardboard boxes in which the artist received deliveries at home during lockdown, as well as other materials that he uses in an improvisatory way...
Aman Interiors launch their inaugural collection in Miami | Wallpaper Aman Interiors - The Migumi Collection (Image credit: Aman Interiors) By Tianna Williams published 15 December 2023 Aman is known for its architecturally stunning hotels and resorts that sweep the world's most scenic destinations...