In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror. They are both two examples of the artist’s many enigmatic photographs of models, actors, musicians, and other powerful figures rooted in the celebrity-driven culture of Los Angeles. Catching a glimpse of the model, the viewer enters into the world of the celebrity. This photograph makes us question what are we are looking at (and why we are present in) this seemingly ordinary situation. Burton employs soft light to emphasize the woman’s ideal beauty while problematizing the situation that affords the viewer this peek into her life. Like much of Burton’s work, Eniko Mihalik reflects both his experience as a commercial photographer and his interest in the voyeurism, desire, vulnerability, and power of the photographic act.
The Personal, the Humour and the Horror: Interview with Irwan Ahmett | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Hideto Maezawa October 7, 2019 By Patricia Tobin (1,140 words, 6-minute read) The concluding production of TPAM 2019 was Constellation of Violence , a lecture-performance by artist Irwan Ahmett, which focused on the culmination of the Cold War in Indonesia in 1965, from its lead-up to its aftermath...
Finding Ratna Asmara and the Herstory of Indonesian Cinema | ArtsEquator Skip to content The tale of a pioneering woman Indonesian filmmaker converges with the mission of a group of women film researchers, as Adrian Jonathan Pasaribu highlights how archives and historical records often render some stories invisible...
Reconstructing the Virtual in “Frogman” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Arts House Limited June 14, 2019 By Shawn Chua (1,088 words, 6-minute read) Having securely fastened the headgear, I am submerged into the virtual world of Frogman...
"Aujourd’hui, être un artiste russe indépendant signifie vivre en dehors de la Russie" 2 février 2024 In AP Web , arts visuels “Aujourd’hui, être un artiste russe indépendant signifie vivre en dehors de la Russie” Interview de Dimitri Ozerkov, conservateur et commissaire d’exposition, par Julie Chaizemartin...
The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...
Patria - Photographs by Oleñka Carrasco | Interview by Valeria Posada-Villada | LensCulture Feature Patria Oleñka Carrasco’s latest photobook and exhibition at the Rencontres d’Arles recounts how grief prompted her search for a lost connection with the house and land in which she grew up — Venezuela...
Szymon Szewczyk, Tears in My Eyes - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Szymon Szewczyk Szymon Szewczyk, Tears in My Eyes June 25, 2022 Szymon Szewczyk | Tears in My Eyes Opening: Saturday, June 25th, 2022, 4pm – 8pm June 25th – August 20th, 2022 Curator: Katarzyna Krysiak The exhibition will include works made with polymer mass using the intarsia technique, which Szymon Szewczyk has been implementing in his art for many years The intarsias will show dancing characters, bodies in motion, some more simplified than others...
Weekly Picks: Indonesia (3 - 9 September 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do September 3, 2018 Top Picks of Indonesia art events in Jakarta, Bandung, and Yogyakarta from 3-9 September 2018 The Warna Warna Exhibition is a collaboration between the singer Andien and the Art Therapy Center Widyatama that is exhibited this week at Dia...
An exercise of privilege: "The Class Room" at M1 Peer Pleasure 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Zinkie Aw August 18, 2019 By Adeeb Fazah (1,400 words, 6-minute read) When I signed up for The Class Room , a participatory theatre piece created and facilitated by veteran theatre practitioners Li Xie, Kok Heng Leun and Jean Ng, I was expecting a thought-provoking experience, with meaningful exchanges with people from different walks of life about issues of poverty...