Eniko Mihalik

Two Seoul museums have unveiled some of the 23,000 artworks donated by late Samsung chairman Lee Kun-hee's relatives as they seek to settle an inheritance tax bill of over 12 trillion won ($10.4 billion)....

‘I have nothing to lose’: Korean author of 8 Lives of a Century-Old Trickster on writing her first novel, and its main character who’s ‘a bit violent’...

The exhibition presents the research and residency program “Ensayos”, initiated in 2010 in Tierra del Fuego, Chile, for the first time in an artistic context...

Reza Bahmani's oil paintings, with each's distinctive texture and scale, carry a distinct intimacy...

Patria - Photographs by Oleñka Carrasco | Interview by Valeria Posada-Villada | LensCulture Feature Patria Oleñka Carrasco’s latest photobook and exhibition at the Rencontres d’Arles recounts how grief prompted her search for a lost connection with the house and land in which she grew up — Venezuela...

Tarek Atoui, Mariana Castillo Deball, Jimmie Durham, Sulaiman Esa, Edgar Fernandez, Meschac Gaba, Simryn Gill, Ion Grigorescu, Taloi Havini, Ho Siu-Kee, James T...

Pussy Riot’s Nadya Tolokonnikova On the Legacy of Judy Chicago | Observer Nadya Tolokonnikova puts it plainly when I ask her what Judy Chicago means to her: “Judy is the Godmother of feminist art.” Judy Chicago, 2023...

Investigation by Portuguese newspaper reveals grappling between politicians and museums over future of Kwer’ata Re’esu Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Looted art news Investigation by Portuguese newspaper reveals grappling between politicians and museums over future of Kwer’ata Re’esu Disagreement centred over whether the painting, looted in 1868 and later sold to a private collector in Portugal, should be bought by the government and returned to Ethopia Martin Bailey 5 February 2024 Share The remarkably well-preserved Kwer’ata Re’esu was taken during the British military offensive in Ethiopia in 1868 Photo: © Martin Bailey, The Art Newspaper...

A dream awakened: Ruby City opens to the public on Sunday with three exhibitions drawn from the Linda Pace collection....

Damian Ortega, interviewed By José Esparza Chong Cuy...

The heirs of Fritz Grünbaum have been pursuing the return of artworks, many of them Schieles, for more than 25 years....

Sabbath’s Too Decent Theater – Artforum Read Next: ARGENTINIAN PRESIDENT JAVIER MILEI SHUTTERS MINISTRY OF CULTURE Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

Opera companies are struggling to stay afloat in the post-pandemic era - The Washington Post The Washington Post Democracy Dies in Darkness The Metropolitan Opera, which recently withdrew $40 million from its endowment to address declining revenue, performs “Turandot” in 2021...

An exercise of privilege: "The Class Room" at M1 Peer Pleasure 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Zinkie Aw August 18, 2019 By Adeeb Fazah (1,400 words, 6-minute read) When I signed up for The Class Room , a participatory theatre piece created and facilitated by veteran theatre practitioners Li Xie, Kok Heng Leun and Jean Ng, I was expecting a thought-provoking experience, with meaningful exchanges with people from different walks of life about issues of poverty...

Remembering Indigenous Artist and Organizer Klee Benally Skip to content In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas PHOENIX — Multiple communities are mourning the loss of Klee Benally, an anti-colonial Indigenous activist, installation artist, filmmaker, and musician whose work centered around land rights, Indigenous liberation, and climate justice...

At the Inaugural Dallas Entertainment Awards, a Room for All Scenes - D Magazine Skip to content Menu Search One brand, four magazines...

Netflix’s viewing data shows a wide gulf between streaming and the real world - The Verge Skip to main content The Verge The Verge logo...

Eva Papadaki—A Storage Full Of Memories - IGNANT Name Eva Papadaki Images Clemens Poloczek Words Marie-Louise Schmidlin For those with a keen eye for thoughtfully designed interiors and spaces, it’s nearly impossible to oversee Eva Papadaki and her 10AM projects when zooming in on the creative landscape of Athens...

Searching for We’wha is composed of five photographic triptychs combining photographs from the American West (New Mexico and Arizona) with excerpts from American Indian poetry in an attempt to reconstruct imaginary aspects of the life of We’Wha, a famous member of the Zuni tribe, who was born male but who lived a feminine gender expression...