Empire's Borders II-Passage
2010 - Photography (Photography)
174H x 105W centimeters
Chen Chieh-Jen
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc. (2010), which takes as its point of departure the political context of the 1950s and the Cold War, when American interests in Taiwan overlapped with the Chinese civil war. Cooperating with the Chinese Kuomintang, the American CIA established something called Western Enterprises, an agency whose main tasks included training an anti-Communist National Salvation Army (NSA) for a surprise attack on Communists in mainland China and establishing Taiwan as a base for anti-Communist operations in Southeast Asia. Narrated from the point of the view of the artist’s father, once a member of the NSA, the project interweaves personal experience with historical events. The restaged ruins of the old Western Enterprise base have a haunting atmosphere, silently recounting the complex history of Taiwanese-American relations in an era of global tensions and conflicts.
One of the most established artists working in Taiwan today, Chen Chieh-Jen creates highly politically charged works that are deeply rooted in his homeland, examining the modern history of Taiwan within the larger context of globalization. Through the visual language of video and photography, he explores collective memories, perceptions, and historical constructions that are closely related to the recent rise of neoliberalism. The work resists the existing “logic” of history writing by looking into past events in depth. It also imagines and proposes new forms of history with democratic potential—histories that counter official ideologies and are actually written by the people.
Colors:
Related works sharing similar palette
© » KADIST
Shimabuku
2006For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
© » SOUTH CHINA MORNING POST
Opinion | How the word ‘hostage’ used to mean something quite different to its modern definition, as the Israel-Gaza war rumbles on | South China Morning Post Advertisement Advertisement Hostages who were abducted by Hamas gunmen during the October 7 attack on Israel are handed over by militants to the International Red Cross in an unknown location in the Gaza Strip on November 30, 2023...
© » ARTS EQUATOR
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 For the benefit of the possible intelligences that may find these treasures after humans have long gone, we have translated one of the photographs of our wheat gleaning ceremony in Singapore into binary code...
© » KADIST
Mohamed Bourouissa
2008Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison...
© » KADIST
Juan Covelli
2021El Salto (The Jump/The Waterfall) by Juan Covelli depicts the Salto de Tequendama, a waterfall located on the outskirts of southwest Bogota...
© » FAD MAGAZINE
Anna Uddenberg first ever film to premiere in the United States to audiences online this December - FAD Magazine Skip to content By Mark Westall • 29 November 2023 Share — Black Cube Nomadic Art Museum has announced the debut of Useless Sacrifice , a short film created by renowned international Berlin-based Swedish artist Anna Uddenberg...
© » ARTS EQUATOR
On Taipei Arts Festival with Tang Fu Kuen | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 25, 2018 By Yuka Sugiyama (480 words, three-minute read) The Taipei Arts Festival (TAF) began in 1998 as one of the main festivals in Taipei to mark the city’s contemporary consciousness through the staging of multiple artistic activities for international and national audiences...
© » KADIST
Vincent Leong
2012The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
© » SLASH PARIS
Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Sinae Lee — Exposition personnelle Exposition Vidéo À venir Sinae Lee, J’ai besoin de la chance, vue de l’installation vidéo à la biennale de la jeune création, Houilles © Marc Domage Sinae Lee Exposition personnelle Dans 8 mois : 2 → 23 mars 2024 L’ahah #Moret est heureuse d’inviter l’artiste Sinae Lee pour une exposition personnelle du 02 mars au 23 mars 2024...
© » KADIST
Andrew Norman Wilson
2014Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank...
© » FRANCE24
TV series: ‘Succession’, ‘The Bear’ and ‘Beef’ win big at the Emmys - arts24 Skip to main content TV series: ‘Succession’, ‘The Bear’ and ‘Beef’ win big at the Emmys Issued on: 16/01/2024 - 15:05 Modified: 16/01/2024 - 16:03 13:06 Jesse Armstrong accepts the award for Outstanding Drama Series award for “Succession”at the 75th Primetime Emmy Awards in Los Angeles, California, US, January 15, 2024...
