10:12 minutes
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer. Elevación evokes various narratives inspired by the comicstrip Marquetalia, Raíces de la Resistencia (Marquetalia, Roots of the Resistance) (2011). This comic strip is a memoir of the FARC (Revolutionary Armed Forces of Colombia) guerillas written by Jesús Santrich, one of its leaders who, after the 2016 Peace Agreement, rejoined dissident members of the organization in a clandestine guerrilla splinter group in 2019. Millán’s work reflects on Colombia’s constant armed conflict, land ownership, and popular struggles, but with a specific interest in popular culture and contemporary visual languages in alignment with her topics of research. Post-production is essential to the artist’s work insofar as she uses this process to create a meta-text that holds all the permutations of the narrative. This technology allows Millán to hybridize the languages, genres, forms, and methods in her video work. In Elevación Millán foregrounds the intersections between seemingly disparate groups, emphasizing underlining connections and collaborations to reveal the interplay between key characters and online subcultures.
An active artist since the mid 1990s, Ana María Millán’s early works employed popular culture as a vehicle to research Colombia’s idiosyncrasies, and how it has been impacted by corruption, social inequality, and violence. She has embraced a precarious aesthetic language which gives form to her interest in how the political is reflected in popular culture, both mainstream and underground. Often embracing unorthodox narrative forms, Millán’s video works maintain a skeptical distance while still illustrating personalized stories, specifically focusing on how information is transmitted in relation to local Colombian subcultures, violence, and occluded discourses. Millán is a founding member of Helena Producciones, a crucial art collective who organized several editions of Cali’s Performance Festival and other curatorial and artistic projects, seminal in Cali’s and Colombia’s contemporary art context.
“Cloth as Land” at JMKAC Presents Textiles as a Wellspring of Hmong Indigeneity Skip to content Ger Xiong/Ntxawg Xyooj, “I sat closely and watched it crumble and unraveled and crumbled and unraveled and...” (2023), Coca-Cola can and embroidery thread (image courtesy the artist) HMong* indigeneity is complicated by centuries of political conflicts, displacement, erasure, and disorientation in HMong homelands of China and Southeast Asia...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Apparently Djurberg’s mother made a puppet theater and traveled around Göteborg performing during her childhood...
biarritzzz is interested in how the development of the internet, and experimentation in the virtual world happens simultaneously with the experimentation in the material world of the human species; and how these developments reflect the precariousness of life within neoliberalism...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
The meteoric rise of Angelica Kauffman RA | Article | Royal Academy of Arts Caption toggle button The meteoric rise of Angelica Kauffman RA By Jenny Uglow Published on 2 January 2024 Historian Jenny Uglow tells the story of how Angelica Kauffman became a founding Member of the RA and one of the most revered artists in Georgian Britain...
The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...
Growing up Everywhere and Nowhere in “Peter and the Starcatcher” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng October 22, 2018 By Teo Xiao Ting (1,300 words, seven-minute read) What does it mean to be a child? Specifically, what does it mean to be growing up, to be young, in this milieu? While set in the sepia of 1885, Peter and the Starcatcher by Pangdemonium asks questions that still resonate now, opening up to an extended session of make-believe to present the origin story of a Boy who detests all “grown-ups.” The story comes dusted in “starstuff,” a coveted substance that literally came from the stars, and has the magic to grant wishes...
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Post Boxes and Tokyo Street Aesthetics - Photographs by Bruno Quinquet | Book review by Magali Duzant | LensCulture Feature Post Boxes and Tokyo Street Aesthetics Working under the moniker ‘Bureau d’Etudes Japonaises’ photographer Bruno Quinquet deftly applies a conceptual approach to street photography, exploring the 23 wards of Tokyo from the perspective of a postman...
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Aja Monet, Suzanne Ciani and Dehd Join Noise Pop 2024 Lineup | KQED Skip to Nav Skip to Main Skip to Footer The Do List Aja Monet, Suzanne Ciani and Dehd Join Noise Pop 2024 Lineup Nastia Voynovskaya Dec 12 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Aja Monet performs during 2022 BRIC celebrate Brooklyn at Lena Horne Bandshell at Prospect Park on July 08, 2022 in New York City...