11 x 9 cm
“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium. The design of this chair makes stacking easy and rational. At the same time, this stack produces an optical effect that creates a shape resembling a tunnel or a subterranean passage. The fantastic logic of these abysses is opposed to the pragmatic nature of design. In “Efficiency & Abyss 1” the artist takes a medium employed for documentation and manipulates perspective through the angle he takes the photo. In doing so, Pericàs shows that perspective can be manipulated not only through computer editing but also through manipulated standpoints.
Gabriel Pericàs (b. 1988, Palma de Mallorca, Spain) is interested in developing an ironic view of modernity and its many forms through manipulating design processes. Referencing the work of Duchamp, Richter and Baldessari, Pericàs writes texts that are staged into performances, in which certain of his already existing art pieces are actors. The artist is interested in situating the viewer in a space that is built between narration and formalism employing a variety of digressions and slips to question methods of communication. He has an interest in the invisible, what is before our eyes but which we do not perceive, the underground forces and the libidinal flows.
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us...
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition...
Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
Brian Tolle's startling sculptures are said to be a dialogue between "history and context." His ability to manipulate what appear to be the most stubborn of structures is more than just a clever use of materials such as styrofoam and urethane (as is th case in the top piece, "Eureka.") Tolle forces us to consider our own relationship with the materials around us....