Some of Faught’s works have been inspired by the ad hoc monuments created at gravesites in San Francisco’s Neptune Society Columbarium, where many victims of the AIDS epidemic were laid to rest. The personal objects, mementos, and offerings left in the cemetery have become something of an archive of a particular moment in queer history and the gay community in the city. His 2014 sculpture, Edward , is part of a larger series of works that Faught has made to memorialize (or simply recall) his past lovers. Each of the sculptures in the series includes objects relating to a particular person: in Edward , a VHS copy of the 1983 film Silkwood is joined by a abalone ash tray and an overturned mug. Combined with “hand woven gold lame and hemp, hand dyed in shades of Daffodil, Cardinal Red, Raspberry, Indigo, and Teas Leaves to match the color fashion forecast of 2014-2015,” the objects of Edward form a tiny shard of memory, pinpointed in time though not in space, concrete and yet so elusive.
American artist Josh Faught uses weaving, knitting, and crochet as means to making in his textured and evocative sculptures. Laden with fabric strewn over wooden structures, Faught’s works compile hand-made and found materials together to create object-analogues for individuals, capsules of memory, and archives of desire.
Press Release: Art21 to Release Season Finale of “Art in the Twenty-First Century” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 9:47 Add to watchlist "Now and Forever" Kerry James Marshall Extended Play December 6, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
The archival images used by Frida Orupabo in her collages trace stereotyped representations of race, gender, sexuality and violence...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
246247596248914102516… And then there were none narrates a semi fictional account centered around the ambiguous history of the Democracy Monument in Bangkok, and on the aftermath of the 1973 demonstration of 400,000 people who marched against the military junta from Thammasat University to the monument...
Like an Attali report, but different June 15 – July 27, 2008 Curator: Cosmin Costinas With: Yael Bartana, Gregg Bordowitz, Heman Chong, Ciprian Muresan, Deimantas Narkevicius, Redza Piyadasa, Pushwagner, Anatoli Osmolovsky, Mona Vatamanu & Florin Tudor The Attali Report (or the Report of the Commission for the Liberation of French Growth), commissioned by President Sarkozy, was published half a year ago, provoking a long series of discussions, mainly confined to the French public arena and mainly focused on the report’s concrete proposals, set to implement a neoliberal model for the French economy and society...
Protesters Demand Brooklyn Museum "Take a Stand Against Genocide" Skip to content Protestors unfurl a banner that says "Brooklyn Museum: No Silence on Genocide" Photo by Hrag Vartanian / Hyperallergic The guerrilla action involving twenty activists at the Brooklyn Museum yesterday, December 8, was merely a drop in the bucket compared to the turnout during today’s planned march from the institution on Eastern Parkways to across the Brooklyn Bridge and into Manhattan...
Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...
Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Le Droit à l’oubli — Musée Transitoire #3 Exposition Techniques mixtes Jean-Charles de Quillacq, vue de l’exposition Le Droit à l’oubli, Musée Transitoire #3 © Musée Transitoire Le Droit à l’oubli Musée Transitoire #3 Encore environ 2 mois : 26 janvier → 30 mars 2024 Date de clôture provisoire Artistes : Bas Jan Ader, Mégane Brauer, Sarah Bucher, A...
Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006...
The Red City of the Planet of Capitalism is part of a three project lineage, following Bahar Noorizadeh’s research on the architecture of the Soviet Union...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...