Some of Faught’s works have been inspired by the ad hoc monuments created at gravesites in San Francisco’s Neptune Society Columbarium, where many victims of the AIDS epidemic were laid to rest. The personal objects, mementos, and offerings left in the cemetery have become something of an archive of a particular moment in queer history and the gay community in the city. His 2014 sculpture, Edward , is part of a larger series of works that Faught has made to memorialize (or simply recall) his past lovers. Each of the sculptures in the series includes objects relating to a particular person: in Edward , a VHS copy of the 1983 film Silkwood is joined by a abalone ash tray and an overturned mug. Combined with “hand woven gold lame and hemp, hand dyed in shades of Daffodil, Cardinal Red, Raspberry, Indigo, and Teas Leaves to match the color fashion forecast of 2014-2015,” the objects of Edward form a tiny shard of memory, pinpointed in time though not in space, concrete and yet so elusive.
American artist Josh Faught uses weaving, knitting, and crochet as means to making in his textured and evocative sculptures. Laden with fabric strewn over wooden structures, Faught’s works compile hand-made and found materials together to create object-analogues for individuals, capsules of memory, and archives of desire.
Press Release: Art21 to Release Season Finale of “Art in the Twenty-First Century” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 9:47 Add to watchlist "Now and Forever" Kerry James Marshall Extended Play December 6, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
The archival images used by Frida Orupabo in her collages trace stereotyped representations of race, gender, sexuality and violence...
246247596248914102516… And then there were none narrates a semi fictional account centered around the ambiguous history of the Democracy Monument in Bangkok, and on the aftermath of the 1973 demonstration of 400,000 people who marched against the military junta from Thammasat University to the monument...
The Red City of the Planet of Capitalism is part of a three project lineage, following Bahar Noorizadeh’s research on the architecture of the Soviet Union...
Through the Lens of Realism: Juergen Teller’s Artistic Odyssey at the Grand Palais Éphémère “I need to live” till January 9th – A Shaded View on Fashion Dear Shaded Viewers, Juergen Teller, a celebrated name in the world of photography, has made a significant impact with his unfiltered celebrity portraits, edgy fashion shoots, and compelling campaigns for renowned designers...
Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...
Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...
ILHAM Gallery is a trailblazer in the Malaysian art scene (via Luxuo) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 19, 2018 ILHAM Gallery sits like a secret jewel box in the black-ice exterior of Menara ILHAM, where it has played host to celebrated artists and conceptual experimenters since it opened its doors in August 2015...
Weekly Picks: Malaysia (26 Nov – 2 Dec 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 26, 2018 Symposium – How Easily Modernism Could Be Disturbed , at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery...
Interview with Megan Nugroho and Samuel Alexander Forest - ArteFuse Where do we look for the antidote to the inevitable challenges and disenchantment of living in global metropolises? At Tutu Gallery, Land Language/Bahasa Bumi offers a place of refuge rooted in Javanese landscape and opens up a world in which nature’s intimate immediacy is materialized...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...