Rachel E. Foster uses printmaking, sculpture, and photography to illuminate the nearly invisible. For her source material she combs the digital world for bits of strange information that seep into our daily reality. These clues, be they coded sequences or simple phrases, become part of her puzzle; by reframing information she makes us reconsider it through a different lens. Language is embedded in Foster’s work, but it is subject to play, often becoming obscured or reoriented. In Ghost I (2009) the word “ghost” becomes ghosted, rendered ominously in white chalk on black paper so that it resembles an apparition. Average Lifespan (2009) calculates the average lifespan of eight famous poets. This seemingly random equation reveals to us the age at which the poets died and forges a posthumous relationship among them.
Rachel Foster is concerned with showing the unseen. Her prints and letterpress pieces humorously play with language, sight, and tactility. Ghost I and Ghost II work as a pair to conjure reflection and its “haunting” quality. Other prints, such as Dyslexia, deploy similar letters of the alphabet—b, d, q, p—to create a different kind of confusion and disorientation. In This is print, embossed Braille dots communicate: “This print is depicting another way a single idea can be communicated.” Through the use of very simple mechanisms, humor, and tautology, Foster pushes our understanding of the relationship between signs, senses, meanings, and readings.
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America...
In the “Black Paintings” series, although the human body is only suggested, it plays an important role...