80H x 60W x 60D centimeters
Edinburgh Castle on the Bin Bag features a model of the Edinburgh castle constructed by using shiny black cards placed on top of an open, full black plastic trash bag. The model is delicate, with detailed rendering of windows and a flagpole. Despite the negative association of black plastic trash bag, this work offers a sense of wonderment in it its scale and subject matter. The fragile, ephemeral make up of the castle contrasts the casual manner in which the bag is laid. This work was the inspired another “castle work” by Iwasaki, a contribution to Lustwarande ’11, in which a copy of the Tilburg Castle produced from a transparent white produce bag was placed on the branch of a tree. The Tilburg Castle was reproduced from a drawing found on the Internet. The castle and its base appear to have magically manifested from what initially may have seem like an errant bag caught in the tree.
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
Searching for We’wha is composed of five photographic triptychs combining photographs from the American West (New Mexico and Arizona) with excerpts from American Indian poetry in an attempt to reconstruct imaginary aspects of the life of We’Wha, a famous member of the Zuni tribe, who was born male but who lived a feminine gender expression...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...