Drawing for SOTSB II
2013 - Drawing & Print (Drawing & Print)
30,5 x 22 cm
Anne Imhof
“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand. The performance is a reference to the film by Robert Bresson, “Pickpocket”, where a group of pickpocketers play with their victims. The artwork, through the actions of the hands, is an interrogation into space and time, questioning the relationship between public and private space, the establishment of communication through the body and visual exchange and gestures between aggression and sensuality. The drawings are an integral aspect to Imhof’s work, being made before and after the performances. In the drawings, the figurative forms fuse with the abstract elements, turning the work into a stream of unstable movements. The drawing is a means to interrogate the possibility of retaining that which is in the domain of the ephemeral, or to connect to the performative gestures (the drawings often being found in the place of performance). Some drawings are simple sketches, on the edge of abstraction, while in others Imhof uses felt and oil paint, creating a more sombre and telluric tone. The incompleteness opens the possibility for movement to come.
Anne Imhof expands the canonical conception of performance to consider documentation and transmission. Imhof’s approach to the visibility of performance negotiates different designs for time and space through installation and video. Her performances can thus be considered as ‘re-enactments’, as they are replayed in different contexts with variations to the installation. As part of her practice, Imhof often includes her friends and peers in a series of ongoing rehersals to expand and experiment with extra-linguistic forms of communication. In examining and studying movements and gestures, often performed over several hours in silence, Imhof produces a sophisticated vocabulary of contemporary performance art.
Colors:
Related works sharing similar palette
© » KADIST
Michal Chelbin
2005Michal Chelbin’s staged yet intimate portrait photographs, seduce the viewer into uncomfortable, voyeuristic complicity with the camera...
© » KADIST
Jorge González
2017Easy to fold and carry, Jorge González’s Banquetas Chéveres (Chéveres Stools) embody the nomadic and flexible nature of the Escuela de Oficios...
© » KADIST
Jonas Bendiksen
2021For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
© » KADIST
Olga Grotova
2022Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
© » KADIST
Mark Grotjahn
2002This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
© » KADIST
Duto Hardono
2017Variation & Improvisation for ‘In Harmonia Progressio’ by Duto Hardono is part of a series of work that focuses on sound loops as a fundamental element of his performance – a metaphor that Hardono employs as he examines the human condition, such as time and temporal spatiality...
© » ARTS EQUATOR
Weekly Picks: Indonesia (28 January - 3 February 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 28, 2019 Top Picks of Indonesia art events in Jakarta, Bandung and Surabaya from 28 January – 3 February 2019 Baron Basuning Studio, together with Galeri National Indonesia, invites you to NOOR, a solo exhibition of Baron Basuning’s works...
© » THEARTNEWSPER
Cities are the heroes in an 'easy-going and unpreachy' publication that takes us on whirlwind tour of art history Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review Cities are the heroes in an 'easy-going and unpreachy' publication that takes us on whirlwind tour of art history Fifteen art capitals are captured at their brilliant apogee in Caroline Campbell's book Keith Miller 6 February 2024 Share Detail of Hungry Ghosts Scroll (late 12th century) by an unknown artist Kyoto National Museum The last book I reviewed with this title was by the historian Simon Schama...
© » KQED
‘The Taste of Things’ Review: A Moving Tale of Love and Food | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Food, Glorious Food (and Other Pleasures) in ‘The Taste of Things’ Lindsey Bahr, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Benoit Magimel and Juliette Binoche in ‘The Taste of Things.’ (Stéphanie Branchu/ IFC Films via AP) The Taste of Things should come with a warning: Audiences may be tempted to abandon work as they know it and start a beautiful, calm new life in the French countryside devoted to the culinary arts...
© » THEARTNEWSPER
East London's Vestry House Museum to undergo £4.5million redevelopment Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news East London's Vestry House Museum to undergo £4.5million redevelopment The funds to reimagine the museum are part of a wider £17.2m Levelling Up allocation that will help to bolster the district's arts credentials Alexander Morrison 18 December 2023 Share The Vestry House Museum today Courtesy of Vestry House Museum Tucked away in Walthamstow village, the Vestry House Museum has long been an important, if modest, archive of the east London district's history...
© » KADIST
Sancintya Mohini Simpson
2019And words were whispered by Sancintya Mohini Simpson is a series of ten works on paper based on the lived experiences of Indian women taken to the Natal region of South Africa from the 1860s to the early 1900s to work in tea and sugarcane plantations during apartheid, which included servitude in its broadest and most sinister definition...
