4:11 minutes
In the video work Drag, a man in a dark room pulls on the end of a rope. In midst of sounds of heavy breathing, the camera presents alternating scenes of a man and the shadow of a man wearing a long, pointed hat cast against a wall. Insinuating a sinister mood, the man and the shadow struggle to control the scene through alternating tugs and releases of a rope. The shadow dominates. Later, a human voice murmuring in low, deep tones provides a soundtrack to the visual ambiguity to produce and effect between something derivative of Plato’s “Allegory of the Cave” and a mockery of human desire and struggle. The video ends with an epigram added by Chen: “You cannot, could not, be in the dark, about all the darkness”, an ominous warning of play on words seemingly urges the viewer to approach the incoherent narrative as a layered incantation of play on shadows.
Chen Xiaoyun studied ink painting at the Chinese Academy of Arts and lived as a writer in Suzhou before becoming part of the Hangzhou video art community. Chen’s works stages scenes of everyday life with elements of the strange and the absurd in order to explore existentialist themes through narratives of visual linearity. Chen is drawn to nighttime scenes of ambiguity, making use of shadows and silhouettes in concert with simple plots and fixed scenery to reconcile disjuncture in gazes and assert connections between the filmic eye and reality.
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...