103 x 54 x 14 cm, 107 x 54 x 12 cm, 108 x 54 x 11 cm
Ana Navas uses humor to address formal, aesthetic, and societal conventions that are interwoven in the everyday through the normalization of gendered behaviors and style choices used to project personal and collective signifiers. In her Donation Vases she uses quotes taken from corporate coach Lois P. Frankel’s book Nice girls (still) don’t get the corner office: Unconscious Mistakes Women Make That Sabotage Their Careers (2004). The aspirational, somewhat cynical tone of the sentences – “When given a choice, sit next to most powerful person, their power will cascade over you,” “Why is it that women buy those little chains to hang reading glasses around their necks,” “If you see your reflection on a glossy surface & notice something wrong, avoid fixing it there” – reveals a particular understanding of what a professional, ambitious cis woman should look like, the persona she should project, and the type of desirable behaviors that constitute a stereotypical “successful woman” according to a capitalist morality. As a way to deconstruct these stereotypes, Navas offers this advice as “tips”- playing with the double sense of the word as counsel and gratuity – written on vases that resemble tourist souvenirs which would typically contain more naive rhetorics. The vases contain the tips “donated” by Frankel, effecting a displacement of the normalized, “universal” context they stem from and of the medium that carries them. The oscillations between the universal/modern and the local, high art and popular craft are embedded in these objects that are completed by the drawings made with steel wire illustrating a material aspect of the sentences. They appropriate a modernist, succinct aesthetics in contrast with the handmade character of the ceramic pieces. This contamination of styles is a kind of postmodernist collage that reflects on gender and its multiple, subtle ramifications.
Ana Navas’s practice deals with the vulgarization of modern art, understanding the term vulgar in its original sense of being appropriated by common people. She is interested in questioning the boundaries between low and high art and demonstrating how a modernist aesthetic language has permeated our daily lives in different ways. Her work takes the form of sculptures, paintings and videos made by using everyday objects and artisanal processes and deploying an acute sense of humor. She is interested in the contamination of forms, materials and references, materializing these inquiries into hybrid artworks. By embracing a DIY approach to artmaking which results in rather kitsch objects, she reclaims a space for production which has traditionally been used to disqualify the work of women artists.
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Laura Lamiel — Ursule — Marcelle Alix Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Laura Lamiel — Ursule — Marcelle Alix Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Laura Lamiel — Ursule Exhibition Installation, sculpture Laura Lamiel, Ursule (2), 2023 — Vue de l’exposition Ursule, 2023...
The Metropolitan Museum will repatriate 16 Khmer sculptures to Cambodia and Thailand Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Antiquities trafficking news The Metropolitan Museum will repatriate 16 Khmer sculptures to Cambodia and Thailand The museum had been pressured and petitioned for years to return objects tied to smuggler Douglas Latchford Theo Belci 15 December 2023 Share Two antiquities with ties to the late dealer Douglas Latchford—the Bodhisattva Avalokiteshvara Seated in Royal Ease from the tenth or eleventh century (left) and the Head of Avalokiteshvara, the Bodhisattva of Infinite Compassion from the tenth century (right)—will be repatriated by the Metropolitan Museum of Art Metropolitan Museum of Art The Metropolitan Museum of Art has begun the repatriation process for 16 sculptures previously held in its permanent collection, returning 14 to Cambodia and two to Thailand...
$4 thrift-store vase sells for $107,100 at auction Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news $4 thrift-store vase sells for $107,100 at auction It turns out the glass vessel is a rare example of a 1940s Venini piece designed by the architect Carlo Scarpa Theo Belci 14 December 2023 Share Venini vase designed by Carlo Scarpa (around 1947) Courtesy Wright Auction House An Italian glass vase, purchased for $4 at a thrift store in Richmond, Virginia, fetched $107,100 (including buyer’s fee) on 13 December at Wright Auction House...
Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics...