60min
Antonio Ole’s Rhythm of N’gola Rhythms (1978), is a film about the struggle for Angolan political independence. It looks at the role of popular culture and labor strikes through the 40s and 50s following the band Ngola Ritmos who embarked upon a consciousness-raising mission with their pro-independence political music. Through both their clandestine activities and their music, the band is credited with aiding political mobilization take off in Angola. Performing mainly in the Bairro Operário, the group emerged from struggle, and their music remains an important part of Angolan musical heritage.
António Ole is one of Angola’s most influential artists. Over the years he has developed an eclectic body of work in which drawing, cartoons, collage, painting, sculpture, photography, video, and cinema organically combine and feed into one another in a constant loop. António Ole studied African American Culture and Cinema at the University of California in Los Angeles. According to his gallery, Movart, “the elements the artist uses in his works evoke the colonial period, slavery, war, destruction, human nature, and the ability to resist and survive.”
Masiniya Matawali by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
Music – a propaganda promoting the Khmer Rouge socialist identity (via the Phnom Penh Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 21, 2019 Shortly after their rise to power in April 1975, the Khmer Rouge sought to change the social identity of the Khmer people...
This dyptich installation is coming from a research/ installation Sa koša ke lerole (2016 – ongoing) started during the Montreal biennale (curated by Philippe Pirotte), then recently exhibited at Grahamstown National Arts Festival...
The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010...