57H x 49W x 56D inches
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip. As his steel outline gleefully makes off with a bag of money and a stack of bills, another icon of affluent America, Uncle Pennybags (otherwise known as the Monopoly Man), is crushed underfoot between two heavy blocks. Behind them lies a broken piggy bank, depicted upside down with eyes X-ed out. The scene represents the collision of two fictional worlds—both geared toward children—in which being well moneyed is assumed to be a universal aspiration. With the free market unleashed, these two nostalgic, seemingly innocuous figures are made to compete against one another in a confrontation that begins to read as sinister.
The Los Angeles–based artist Jason Meadows uses found and manufactured objects to craft idiosyncratic assemblages. Though smart and studied, his constructions are hardly academic. Rich in character development, narrative, and humor, they suggest a position of critical kinship with comics, cartoons, and Hollywood films.
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Romain Best — Coulissements par frictions Exposition Installations, sculpture, techniques mixtes Romain Best, Coulissements par frictions, 2023 © Romain Best Romain Best Coulissements par frictions Encore 27 jours : 9 novembre 2023 → 7 janvier 2024 Présenté dans la Project Room du Plateau, Romain Best est né en 1995 à Lyon...
One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...
Another America — AI-Generated Photos from the 1940s and 50s - AI-generated images by Phillip Toledano | Interview by Jim Casper | LensCulture Interview Another America — AI-Generated Photos from the 1940s and 50s Phil Toledano has often pushed the boundaries of photography to imagine the future; now he’s tapping into AI to create alternative histories, challenging our belief in any images at all...
Saturday, March 3 3pm to 4.30pm Exhibition Walkthrough of If These Stones Could Sing and Falling Wall , performance by Public Movement Curator Marie Martraire will lead a walkthrough of If These Stones Could Sing , a group show on view which focuses on the body as a site to engage the politics of public monuments...
Louvre raises ticket prices by 30% in Olympics year Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Louvre raises ticket prices by 30% in Olympics year The price increase will help to subsidise free entry for some visitors and regulate crowd size Gareth Harris 12 December 2023 Share The museum's last ticket raise occurred in 2017 Photo: Inge Knoff via Flickr The Musée du Louvre in Paris is increasing its basic ticket price from €17 to €22 from 15 January as part of a plan to support free admission programmes for some visitors...
The working processes of artists: Sabrina Poon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 27, 2020 Singaporean filmmaker Sabrina Poon, better known as Spoon, talks about her work and the value of storytelling by breaking down three of her short films – Sylvia , Hello Uncle and Pa ...
In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs...