Jonn Herschend’s short film Discussion Questions subverts the familiar motifs of contemporary media-based pedagogy through a playful intervention that invites more engaged and active viewership. Commissioned for the 2014 Whitney Biennial, the film is a text-based PowerPoint presentation that becomes a cathartic dance party. Originally screened as part of an extended program with other video works at the Biennial, Discussion Questions is initially presented as a set of questions designed to inspire audience conversation around these films. The rudimentary black and white text breaks down familiar narrative devices such as plot and setting, providing all-too-banal “instruction” on the rudiments of film analysis. The presentation, however, begins to drift off topic, morphing into its own film as the unreliable “narrator” of the presentation works through his delusional romantic issues with a co-worker at the university where he works. Suddenly, a disco beat soundtrack by Silas Hite begins to play, the screen flashing as if it were a strobe light. Hypnotized by the beat and turning of each new sentence, the viewer finds themselves in a dance party, as this sonnet spirals out of the narrator’s control. In reimaging the space of the museum/screening room/lecture hall as a makeshift dance party, Herschend not only satirizes the dry lecture style of academia: he also stakes out a place for a mode of artistic production that actively engages viewers by encouraging them to get out of their seats and onto their feet.
Jonn Herschend is an interdisciplinary artist, filmmaker and experimental publisher whose work explores fiction, reality and the narrative structures that we employ as a way to explain the chaos and clutter of our everyday lives. His videos, performances, installations, and photos all incorporate sterile and formally recognizable structures such as PowerPoint presentations, academic lectures, photographic evidence, infomercials, gallery exhibitions, or educational videos. He uses these structures as a means to investigate the issues of truth and confusion, and allows the messiness of reality to eventually collapse the whole piece. His work has been exhibited nationally and internationally including the Whitney Museum of American Art; the Telluride Film Festival; SITE Santa Fe; and the San Francisco Museum of Modern Art. He is also the co-founder and co-editor, along with Will Rogan, of the experimental publication THE THING Quarterly.
Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs...
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009...
Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009...
Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...
The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky...