Jonn Herschend’s short film Discussion Questions subverts the familiar motifs of contemporary media-based pedagogy through a playful intervention that invites more engaged and active viewership. Commissioned for the 2014 Whitney Biennial, the film is a text-based PowerPoint presentation that becomes a cathartic dance party. Originally screened as part of an extended program with other video works at the Biennial, Discussion Questions is initially presented as a set of questions designed to inspire audience conversation around these films. The rudimentary black and white text breaks down familiar narrative devices such as plot and setting, providing all-too-banal “instruction” on the rudiments of film analysis. The presentation, however, begins to drift off topic, morphing into its own film as the unreliable “narrator” of the presentation works through his delusional romantic issues with a co-worker at the university where he works. Suddenly, a disco beat soundtrack by Silas Hite begins to play, the screen flashing as if it were a strobe light. Hypnotized by the beat and turning of each new sentence, the viewer finds themselves in a dance party, as this sonnet spirals out of the narrator’s control. In reimaging the space of the museum/screening room/lecture hall as a makeshift dance party, Herschend not only satirizes the dry lecture style of academia: he also stakes out a place for a mode of artistic production that actively engages viewers by encouraging them to get out of their seats and onto their feet.
Jonn Herschend is an interdisciplinary artist, filmmaker and experimental publisher whose work explores fiction, reality and the narrative structures that we employ as a way to explain the chaos and clutter of our everyday lives. His videos, performances, installations, and photos all incorporate sterile and formally recognizable structures such as PowerPoint presentations, academic lectures, photographic evidence, infomercials, gallery exhibitions, or educational videos. He uses these structures as a means to investigate the issues of truth and confusion, and allows the messiness of reality to eventually collapse the whole piece. His work has been exhibited nationally and internationally including the Whitney Museum of American Art; the Telluride Film Festival; SITE Santa Fe; and the San Francisco Museum of Modern Art. He is also the co-founder and co-editor, along with Will Rogan, of the experimental publication THE THING Quarterly.
ALICEGAVINSERVICES™ — La MABA — Exposition — Slash Paris Connexion Newsletter Twitter Facebook ALICEGAVINSERVICES™ — La MABA — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour ALICEGAVINSERVICES™ Exposition Design, graphisme, techniques mixtes Derniers Jours Alice Gavin, ALICEGAVINSERVICES™, sans titre Crédit photo : Léonard Méchineau ALICEGAVINSERVICES™ Encore 6 jours : 14 septembre → 17 décembre 2023 Cet automne, dans le cadre de sa saison dédiée au design graphique, la MABA présente, du 14 septembre au 17 décembre, une exposition consacrée à ALICEGAVINSERVICES™...
Book List on Post-Colonial Theory from the C& Library | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership C& Center of Unfinished Business Book List on Post-Colonial Theory from the C& Library Our library offers a wide selection of books that are connected to the topic of (post-)colonialism in various ways and help us to understand the now...
In City Golf (2008) the artist Gao Mingyan films himself playing 18 “holes” of golf throughout the mega-city of Shanghai...
A legendary rivalry dukes it out one more time in Dog & Rabbit ’s animation, “ The Beatles Vs The Stones .” As iconic album covers from both rock groups come to life, the character from Voodoo Lounge rides a yellow submarine while Keith Richards, Paul McCartney, Mick Jagger, and Ringo Starr have a food fight...
Rules & Repetition: Conceptual Art at the Wadsworth Atheneum Skip to content “The Maze and Snares of Minimalism” (1993) by Carl Andre in front of Alfred Jensen’s “The World As It Really Is” (1977), on view in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum The Wadsworth Atheneum Museum of Art presents works by groundbreaking conceptual artists of the 1960s and ‘70s alongside more recent acquisitions in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum ...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Dialect by Felipe Romero Beltrán is a photographic series that follows a group of immigrants who have recently crossed the strait (the maritime border between Morocco and Spain) to avoid border controls...