20min
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants. It complements von Wedemeyer slightly earlier and more artistic film Silberhöhe (2003) which decried imposed Modernist living model. In Die Siedlung , a voiceover describes and criticizes the different sites on view while the camera moves slowly past a vast abandoned 1930s Nazi army barracks which has yet to be converted or demolished, the building site and wastelands for the new private single family housing area, a constructed pond and finally the 1960s or 70s communal blocks of flats. An estate agent is recorded introducing the newer building site and its future plans in rather deadpan and unconvincing terms, according to him the Bauhaus concept has met resistance from the majority of buyers. A cynical jobseeker expresses his disgust faced with the notion of private property in an interview. The short piece quietly but efficiently denounces the blind pressures of “social reconditioning”. Von Wedemeyer’s work borrows from cinematic or documentary conventions (alike or separately) to analyze architecture as well as urban planning and their impact on behavior with great acuity.
Clemens Von Wedemeyer is certainly one of the artists of his generation that make intelligible our relationship to reality through the use of different transmissions of images, whether through film or video. The artist employs the documentary genre as a method in his analysis of reality. However, his use of fiction gives us the opportunity to examine different images. Referencing the work of Antonioni with “Silberhöhe”, he puts us in a genealogy of directors who have also questioned the complex relationship between fiction and reality. If the video “Silberhöhe” gives us clues to understanding some aspects of reality, the poetic dimension of the artifices of fiction offer more complex visions of the world. Clemens Von Wedemeyer was born in 1974 in Göttingen, Germany. He lives and works in Berlin.
In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape...
Weekly Southeast Asia Radar: Regional take on arty banana; arts centre on Fish Island | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Marketing Interactive December 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
The video Make down is a 34 minute sequence shot that shows the artist removing make-up in front of a mirror...
Her collage works are made from the pages of glossy lifestyle magazines, from which the artist identifies colors, forms, and textures that she reconstitutes into rich, abstract compositions...
Exhibition dates: February 24 – April 9 Opening: February 24, 6-9pm Hours: Weds – Sat, 2-7pm or by appointment Borrowing its title from James Baldwin’s 1985 essay on the Atlanta Child Murders of 1979-81, Evidence of Things Not Seen , this solo exhibition amplifies notions of presence and absence, sound and silence, and visibility and invisibility in the work of Hank Willis Thomas ...
The Pudic Relation between Machine and Plant shows a looped scene where a robotic hand touches a “sensitive plant” — Mimosa Pudica, a species characteristic for closing on itself when touched...
‘The Taste of Things’ Review: A Moving Tale of Love and Food | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Food, Glorious Food (and Other Pleasures) in ‘The Taste of Things’ Lindsey Bahr, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Benoit Magimel and Juliette Binoche in ‘The Taste of Things.’ (Stéphanie Branchu/ IFC Films via AP) The Taste of Things should come with a warning: Audiences may be tempted to abandon work as they know it and start a beautiful, calm new life in the French countryside devoted to the culinary arts...
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
Walking Alongside “BITTEN: return to our roots” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asrari Nasir of Paradise Pictures December 19, 2018 By Teo Xiao Ting (1,420 words, seven-minute read) Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong Bugis, I spot a crew member sweeping the rainwater from the late afternoon downpour clear from the path that I will later walk on...
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Coproduced between KADIST and Sharjah Art Foundation in the context of Sharjah Biennial 15: Thinking Historically in the Present , Farah Al Qasimi’s Um Al Dhabaab (Mother of Fog) challenges colonial myths upheld by Western academia and the lingering imperialist interests at play across Asia’s modern-day trade hubs...
“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...
Bringing you the best of Berlin Fashion Week AW24 Womenswear | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Feature From Sia Arnika and SF 1 OG, to Shayne Oliver’s Anonymous Club, here’s everything that went down at the German city’s fashion fair 10 February 2024 Text Elliot Hoste Berlin Fashion Week AW24 35 It might have been founded 17 years ago, but Berlin Fashion Week is a relative newborn in comparison to its Big Four siblings...
In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments...