20min
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants. It complements von Wedemeyer slightly earlier and more artistic film Silberhöhe (2003) which decried imposed Modernist living model. In Die Siedlung , a voiceover describes and criticizes the different sites on view while the camera moves slowly past a vast abandoned 1930s Nazi army barracks which has yet to be converted or demolished, the building site and wastelands for the new private single family housing area, a constructed pond and finally the 1960s or 70s communal blocks of flats. An estate agent is recorded introducing the newer building site and its future plans in rather deadpan and unconvincing terms, according to him the Bauhaus concept has met resistance from the majority of buyers. A cynical jobseeker expresses his disgust faced with the notion of private property in an interview. The short piece quietly but efficiently denounces the blind pressures of “social reconditioning”. Von Wedemeyer’s work borrows from cinematic or documentary conventions (alike or separately) to analyze architecture as well as urban planning and their impact on behavior with great acuity.
Clemens Von Wedemeyer is certainly one of the artists of his generation that make intelligible our relationship to reality through the use of different transmissions of images, whether through film or video. The artist employs the documentary genre as a method in his analysis of reality. However, his use of fiction gives us the opportunity to examine different images. Referencing the work of Antonioni with “Silberhöhe”, he puts us in a genealogy of directors who have also questioned the complex relationship between fiction and reality. If the video “Silberhöhe” gives us clues to understanding some aspects of reality, the poetic dimension of the artifices of fiction offer more complex visions of the world. Clemens Von Wedemeyer was born in 1974 in Göttingen, Germany. He lives and works in Berlin.
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...
Silberhöhe , directed at Halle, located in the former GDR (German Democratic Republic), is the name of a neighborhood on the outskirts of the city, which was built in the 70’s and could accommodate more 40,000 people...
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
Eight opens with a close up of a painting by Hubert Robert of the Chateau de Chamarande where the film was shot...
In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape...
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Reeder’s works often start with language—and his Pasta Paintings are no different...
Silberhöhe , directed at Halle, located in the former GDR (German Democratic Republic), is the name of a neighborhood on the outskirts of the city, which was built in the 70’s and could accommodate more 40,000 people...
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National Academy of Design Presents “Sites of Impermanence” Skip to content Willie Cole, “Five Beauties Rising” (2012), suite of five prints, intaglio and relief (courtesy the artist) The National Academy of Design’s new exhibition , Sites of Impermanence , celebrates the contributions of the 2023 Class of National Academicians: Alice Adams, Sanford Biggers, Willie Cole, Torkwase Dyson, Richard Gluckman, Carlos Jiménez, Mel Kendrick, and Sarah Oppenheimer...
In Fiction on Auction , the site of the auction is used to stage a fiction where the right to appear as character in Looking for Headless is offered to the highest bidder: the name of the successful biddder as registered for the auction will form the name or identity of the character appearing in the novel...