Deviant Vision #4
2020 - Drawing & Print (Drawing & Print)
35 x 30 cm
Kubra Khademi
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper. Specifically she portrays the two bodies she had access to when she learned how to draw: herself and on occasion her mother. She represents women as warriors, goddesses and shameless playful heroines in search of pleasure and discovery. She often uses personal stories as raw material for her drawings that are characterized by sharp continuous lines and flat colors, with loose references to Mongolian miniatures, Buddhist paintings with an influence of modern illustrated anatomy books. In her pictorial work bodies are absolved of suffering, they are sparse in emotional expression, even scenes of violence are devoid of drama, with a strange sense of serenity, peace and stoicism. The series of drawings Deviant-Vision confronts the notion that nudity and desire are sins, and the idea that the female body is to be hidden away in order to not disturb the order of the masculine world. Through the simple drawing of non-sexual body parts that are usually covered, evoking lightly sexual allusive gestures, she mocks the exaggerated reactions and sexist projections on women’s body parts that are kept hidden. Next to the drawings, written with gold leaf we find verses from Jalal al-Din Rumi (1207–1273) a celebrated Persian poet, jurist, theologian, mystic and Afghani exile.
Afghani artist Kubra Khademi uses her practice to explore her experiences as both a refugee and as a woman. Khademi spent her childhood and teenage years in Ghor, a province that has repeatedly suffered from targeted killings and bombings by the Taliban in the last twenty years. During her studies she began exploring public performance, a practice she continued upon her return to Kabul. Her work actively responded to the extreme patriarchal politics of the region, and in February 2015 she made the performance Armor turning her underwear into a protective shell to address the constant repression and harassment that women suffer. She fashioned a kind of armour that moulded her breasts and buttocks. She performed wearing it on a crowded street. The performance lasted only eight minutes, the reaction was so violent that she was forced to interrupt it. A number of death threats followed, forcing her to flee to France a few days after the performance. In both her performances and her gouaches, Kubra Khademi utilizes her body to affirm a shame-free femininity and to seek a new place for women in society, history and in public space.
Colors:
Related works sharing similar palette
© » KADIST
Tuan Andrew Nguyen
2012This work presents the image of an immolated monk engraved on a baseball bat...
© » SLASH PARIS
Philemona Williamson — The Borders of Innocence — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Philemona Williamson — The Borders of Innocence — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Philemona Williamson — The Borders of Innocence Exposition Peinture Philemona Williamson, A Pause Requested, 2020 Courtesy de l’artiste et galerie Semiose, Paris Philemona Williamson The Borders of Innocence Encore 19 jours : 18 novembre → 30 décembre 2023 Au cours de sa prestigieuse carrière longue de plus de quarante ans, l’artiste américaine Philemona Williamson a créé un ensemble d’œuvres suggestives et fascinantes qu’elle décrit comme des « poèmes visuels »...
© » KADIST
Douglas Gordon
1996In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
© » KADIST
Ari Marcopoulos
1998A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
© » THEARTNEWSPER
MoMA store recalls popular Yoshitomo Nara snow globes over ‘laceration hazard’ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museum gifts news MoMA store recalls popular Yoshitomo Nara snow globes over ‘laceration hazard’ To date almost 40 of the cutesy snow globes that were sold last November have either fractured or cracked Benjamin Sutton 8 February 2024 Share Yoshitomo Nara's Little Wanderer snow globes The Museum of Modern Art (MoMA) in New York has recalled one of its store’s popular holiday gift items, a series of snow globes designed by Japanese contemporary artist Yoshitomo Nara, because they “can crack or fracture, posing a laceration hazard”...
© » THEARTNEWSPER
London’s Middle Eastern art sales have defied tensions Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news London’s Middle Eastern art sales have defied tensions Auction purchases by Arab cultural entities overcome early uncertainties of Israel-Hamas war Melissa Gronlund 7 December 2023 Share Samia Halaby’s Seventh Cross No...
© » THEARTNEWSPER
A peek behind the many masks of James Ensor in new Brussels show Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions preview A peek behind the many masks of James Ensor in new Brussels show A new exhibition will explore the Belgian artist’s later works, including his little-known ballet, as part of Belgium’s year-long commemoration of the 75th anniversary of his death J...
© » ART & OBJECT
A Brief History of the Female Nude: From Willendorf to Kardashian | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » LE MONDE
Au Musée Picasso, à Paris, Léonce Rosenberg ou les mésaventures d’un marchand d’art Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Le Combat » (1928), de Giorgio De Chirico...
© » KADIST
Thursday, September 22 at 7pm Artist Talk: Moshekwa Langa At Kadist’s Offices 19bis, rue des trois frères, 75018 Paris Currently in residency at the Cité des Arts in Paris, Moshekwa Langa is one of the two protagonists of the exhibition “Corner of the Eye”, with artist Nora Schultz, opening at Kadist on October 22...
© » SLASH PARIS
Philemona Williamson — The Borders of Innocence — Semiose Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Philemona Williamson — The Borders of Innocence — Semiose Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Philemona Williamson — The Borders of Innocence Exhibition Painting Philemona Williamson, A Pause Requested, 2020 Courtesy de l’artiste et galerie Semiose, Paris Philemona Williamson The Borders of Innocence Ends in 19 days: November 18 → December 30, 2023 In her more than four decades-long distinguished career, the American artist Philemona Williamson has created an evocative and compelling body of work that she describes as “visual poems.” Through the veil of personal memory, Williamson’s opaque narratives recall the beauty, drama, and vagaries of innocence...