105 x 133 cm
A subject’s back stands before a landscape of mountains, arid and majestic, Der Wanderer 3 revisits the theme of man versus nature dear to Romantic painting and the paintings of Caspar David Friedrich in particular. “From him I returned to the theme of the character turning their backs to the viewer. I love the back. The back is quiet, discreet, polite and distant. It does not challenge the viewer as the eye does, the viewer looks at the same landscape as the model, but they are not disturbed.” With the series “The New Painting” made between 2000 and 2004, Brotherus confronts the photographic medium to the codes of classical painting, its subjects and aesthetics, particularly those of the landscape and the use of the nude.
Elina Brotherus depicts, through her photographic work a portrait of the contemporary artist made during different artistic residencies. Frequently in her work, she is the main model. In the series of “Suites françaises” (French suites) made during a residency of three months at the Musée Nicéphore Niepce at Chalon-sur-Saône in 1999, the artist questions her relation to a foreign language, showing the difficulty in naming things with “post it” stickies. From this work emerges a sense of autobiographical intimacy, of which the camera exists as an absent witness. The artist captures decisive emotional states: the skin texture of a dancer in rehersal, a fine arts model posing as a Degas nude, a state of mind before leaving…The theme of landscape links introspection and contemplation as revealed in her self-portaits. One thinks of Caspar David Friedrich who stressed in his paintings that art played a role as mediator between nature and man. When referring to her work Brotherus has stated, “For me, photography is primarily a constructed image. I consider myself a “maker” of images, or perhaps as someone who finds images. Visual discovery is very important. The working process follows after in the lab.” Elina Brotherus was born in 1972 in Helsinki, Finland. She lives and works between Paris and Helsinki.
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Drinks at 6pm, talk at 7pm What is the mirror effect between landscape and technology, and how do different perspectives and approaches affect our mental images of landscapes? On the occasion of the collaborative exhibition Landscape: the virtual, the actual, the possible? at YBCA, co-curators Betti-Sue Hertz, Ruijun Shen, and Xiaoyu Weng invite some of the artists in the exhibition to reflect on their individual relationships with and conceptions of landscape....
This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...
Sarah Brahim remonte ses souvenirs dans un maelström de gestes et de sons Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Vue d’ensemble de « Sometimes We Are Eternal », exposition de Sarah Brahim, à Lugano (Suisse), en octobre 2023...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Weekly Picks: Singapore (22 – 28 October 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 22, 2018 ETHNI-CITY III – Kali Yuga by SAtheCollective, LASALLE College of the Arts, Flexible Performance Space, 26 – 27 October Kali Yuga is the latest installment of ETHNI-CITY, and it’s slated to be held this October...
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture...
All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...
Talking Head is a short film in black and white of Auder’s daughter Alexandra, hidden behind a hemp plant, playing with a plastic wrapper and babbling in an imaginative way...