Days of Our Lives: Reading
2009 - Photography (Photography)
Wong Hoy Cheong
Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist. It marks a new dimension of his ongoing effort to negotiate with the postcolonial reality across the world, with a unique interventional strategy to deal with the French society. Named after a soap opera in U. S. which has been running practically everyday for over 40 years, Days Of Our Lives is a series of six photographs which explores this new Europeaness. These reenacted photographs or tableaux vivant are based on French painting section in the Museum of Fine Arts (Lyon) which depict domestic scenes: preparing food; relaxing, reading and playing music; giving charity to the poor or being evicted from home or going off to war. They are paintings of ordinary people and their everyday activities and problems.
Born in Malaysia, Wong Hoy Cheong’s work examines the formation of his country’s multicultural identity vis-à-vis global migration, trade, colonialism, and the postcolonial circulation of people, ideas, and capital. His extended body of work uses various media—drawing, painting, performance, installation, video, and on-line projects—to critique the impact of these developments on contemporary life within and without South Asia. With the increasingly hegemonic domination of the media industry in everyday life, its systems of representation have become a central issue in Wong’s recent work, which oscillates between reality and fiction, irony and transgression—and gains a new strength in the process.
Colors:
Related works featuring themes of: » Art in Art, » Black-and-White Photography, » Cinematic, » Collective History, » Color Photography, » Malaysian
» see more
© » KADIST
Enrique Ramirez
2017Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
© » KADIST
Enrique Ramirez
2019Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
© » KADIST
Shilpa Gupta
2009In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...
© » KADIST
Simon Starling
2007Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
Other related works, blended automatically
» see more
© » KADIST
Wong Hoy Cheong
2004Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
© » KADIST
Enrique Ramirez
2017Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
© » KADIST
Enrique Ramirez
2019Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
Related works sharing similar palette
» see more
:quality(70)/cloudfront-us-east-1.images.arcpublishing.com/uscannenberg/M45ZZ5XUD5ELFM2NFVJ4VVASYU.jpg)
© » ARTSJOURNAL
Stolen Syrian art funds international terrorism – Why aren’t we talking about it? – Annenberg Media Skip to main content Arts, Culture & Entertainment Stolen Syrian art funds international terrorism – Why aren’t we talking about it? Stories about the trafficking of blood antiquities across an international black market don’t often appear in the average person’s news diet; Stories about the terrorist organizations that these antiquity sales fund do, though...
Other works by: » Wong Hoy Cheong
» see more
© » KADIST
Wong Hoy Cheong
2004Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
© » KADIST
Wong Hoy Cheong
2009Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...
Related artist(s) to: Wong Hoy Cheong » Ho Tzu Nyen, » Zanny Begg
» see more
© » KADIST
Ho Tzu Nyen
2011The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
Related works found in the same semantic group
» see more
© » KADIST
David Goldblatt
1979David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...
© » KADIST
Setareh Shahbazi
2013Shahbazi’s early drawings in the series “Oh No…” are reminiscent of comic strips or children’s coloring books...
© » KADIST
Jes Fan
2020The Diagram series relates broadly both to Jes Fan’s interests in body modification and gender hacking as well as the artist’s investment in destabilizing hegemonic categories such as gender, monogamy, and the classical individuated subject in favor of more creative, egalitarian, and communal modes of envisioning ourselves...