Datamosh
2011 - Film & Video (Film & Video)
4:20 minutes
Yung Jake
As the video Datamosh begins to play, Yung Jake emerges out of a colorful, smoke-like background and breaks into rap. Malfunctioning green screens and pixelated digital mash-ups bleed into each other in a parody of the music video trope and specifically of the trend of ‘datamoshing’—a digital technique commonly used across this genre. The song’s lyrics distinctly borrow from the lexicon of rap, combining mentions of clubs, money and fame, with self-referential and humorous lines that literally describe the way in which the artist subverts the medium. A series of references—such as artist David O’Reilly who allegedly claims to be the first person to use a datamoshing effect, or Ryder Ripps an up-and-coming web artist—point to the history of datamoshing specifically in the realm of contemporary video art.
Yung Jake is a visual artist and YouTube rapper based in Los Angeles whose work fuses new media, music, and art. Deeply rooted in a millennial zero, his practice incorporates the vernaculars of social media, internet and rap culture, and combines them through a playful use—or misuse—of digital technology. Yung Jake came to prominence after releasing the music video Datamosh in 2011, a work where the artist deliberately applied glitches and pixelation to give the footage a hallucinogenic, dream-like effect. A year later he released the video E.m-bed.de/d, which somehow takes over the viewer’s browser to deliver a music video through an elaborate sequence of transitions between pop-ups that open, close, expand and flicker. Although several of his works are developed entirely for the internet, some pieces by Yung Jake are sculptural or designed to hang on a wall. In a recent series of sculptures, the artist combines prints of popular video-game and cartoon characters with scrap metal, spray paint, stickers, tape, ink, monitors and handwritten text. Another popular body of work is comprised by portraits of celebrities—such as Kim Kardashian, David Bowie, Anthony Bourdain and many others—made entirely out of emojis. Beyond their overt relationship to the hustle and bustle of social media, in the words of the artist: “when things are iconic/famous it’s safe to assume most people have a relationship with that thing so it fills an object with energy in a way.”
Colors:
Related works sharing similar palette
© » ARTS EQUATOR
Drama Lessons: Key takeaways from the SDEA Theatre Arts Conference 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of SDEA June 16, 2021 By Sarah Tang The much-anticipated SDEA Theatre Arts Conference came to a close on 30 May after nine days of workshops, masterclasses and presentations by theatre practitioners and drama educators from 14 countries including India, Greece, United Kingdom (UK), Singapore and Australia...
© » LENS SCRATCH
Collective Week: Kinship Photography Collective - LENSCRATCH Fine Art Photography Daily Subscribe / Contact / About Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Collective Week: Kinship Photography Collective by Kassandra Eller December 12, 2023 ©Kimberly Anderson, We Still Have The Seeds In the past few years, the term artist collective has become common, especially in larger cities where hubs of creativity form...
© » HYPERALLERGIC
Women Are the Post-Apocalyptic Future Skip to content Dana Schutz, "Civil Planning" (2004), oil on canvas (all photos Ela Bittencourt/ Hyperallergic ) BERLIN and PARIS — In recent years, impending ecological apocalypse has spurred a number of contemporary artists to visualize fears of an environmental collapse...
© » ART AND CAKE
Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...
© » ART AND CAKE
Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...
© » ARTS EQUATOR
Sandi Tan’s "Shirkers": Moving Backwards in Order to Move Forwards | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles December 19, 2018 By Ke Weiliang (1180 words, six-minute read) NB: It is important to differentiate between the two versions of Shirkers that were filmed...
© » ART & OBJECT
New York City Bill Proposes Amendments to Problematic Monuments | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KQED
Breaking Isolation and Building Bridges | KQED Skip to Nav Skip to Main Skip to Footer Rightnowish Breaking Isolation and Building Bridges Listen Pendarvis Harshaw Marisol Medina-Cadena Dec 15 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link The art of building bridges in the community...
© » KADIST
Cyprien Tokoudagba
In a style that is unique of Tokoudagba, he evokes the kings, gods and their symbols related to the earth, water, air and fire, usually on a white background...
© » KADIST
Laura Lima
2017Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns...
© » ARTS EQUATOR
The Secret Life Of Haw Par Villa: How tours are bringing the arts to life | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 8, 2022 By Dia Hakim K (1,270 words, 4-minute read) Ever since the pandemic hit, the notion of travel in Singapore has manifested in a variety of forms...
© » SLASH PARIS
En d’infinies variations — Centre culturel canadien — Exposition — Slash Paris Connexion Newsletter Twitter Facebook En d’infinies variations — Centre culturel canadien — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour En d’infinies variations Exposition Techniques mixtes Chun Hua Catherine Dong, Skin Deep, 2014-2020 (Détail) Photographie avec composante de réalité augmentée Courtesy de l’artiste En d’infinies variations Encore 4 mois : 7 décembre 2023 → 19 avril 2024 Le monde s’accélère au rythme des révolutions industrielles qui se succèdent et produisent autant de mutations sociétales et esthétiques...
© » WALLPAPER*
Honor Magic V2 is an ultra-high-end folding smartphone | Wallpaper (Image credit: HONOR) By Jonathan Bell published 10 February 2024 With Mobile World Congress just around the corner, the start of the year is when manufacturers hope you’re getting a bit sick of the smartphone in your pocket and are starting to cast around for a replacement...
© » KADIST
Yoshua Okón
2009Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
