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“Dark Clouds Of The Future” is a cinematographic video animation of the abandoned gold mine in Brazil, Serra Pelada (“Naked Mountain”). Thought to be one of the largest mines in the world, made famous by the photographs Alfredo Jaar and later by Sebastião Salgado, the hand-dug mine is now a mercury-polluted lake. During his research trip to Brazil, Pachpute met many former gold diggers who used to work at Serra Pelada, inciting his interest in the concept of the witness. The motif of the eye in “Dark Clouds Of The Future” is reference to witnessing and participating in the environmental destruction brought about by industrialization. The perpetual movement and transformation in Pachpute’s landscape suggests the continuous erasure of the natural environment, provoking fears and questions for the future articulated in the ominous clouds casting shadows across the mountain. The repetitiveness of the medium, the strokes of coal and pencil on paper, brought to life, as a cinemagraph is a sophisticated examination of the irreversible consequences for nature and man. “Dark Clouds Of The Future” puts into question the autonomy of the individual in the face of a global community whose actions devastate the natural environment.
Prabhakar Pachpute calls attention to issues concerning land politics, industry, and labor through a multimedia practice that includes drawing, painting, sculpture, animation, and murals. Best known for his site-specific charcoal wall drawings, Pachpute’s work references his own experiences growing up in a multi-generational coal mining and farming family. Employing surrealist motifs, the artist’s works are politically rooted depictions of characters that have experienced the seizure or ‘donation’ of their land for economic gain. Considering issues of exploitation through economic, social, and environmental lenses, the artist’s work critically reflects on evolving histories of familial attachment and physical ownership of agricultural and industrial resources.
Calling attention to campaigns for land rights, survival, and sovereignty, Prabhakar Pachpute’s recent works consider how farmers in India use their bodies in performative ways during acts of protest...
Orang Phebien: Telling the story of the Baweanese | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Illustration: Hadi Osni August 5, 2020 Lesser known narratives involving migration in Singapore are in the spotlight with The Arts House’ latest edition of LumiNation ...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Calling attention to campaigns for land rights, survival, and sovereignty, Prabhakar Pachpute’s recent works consider how farmers in India use their bodies in performative ways during acts of protest...
Prabhakar Pachpute was born in 1986 and raised in Chandrapur (Maharashtra), India, a place known as ‘The City of Black Gold’, where his family has worked for three generations in one of the oldest mines in the country...
The series Clouds paintings by Benoît Maire features oil on canvas works in varying format, in which the artist depicts clouds, using a variety of tools, including a spray gun, paintbrush, or palette knife...
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Tia-Thuy Nguyen — Sparkle in the vastness Exhibition Painting Tia Thuy Nguyen, série I, my, me, cloud (2018-2023) Courtesy de l’artiste et galerie Almine Rech Tia-Thuy Nguyen Sparkle in the vastness Ends in 13 days: January 11 → February 24, 2024 “Sparkle in the vastness", Tia-Thuy Nguyen’s first show with Almine Rech presents a suite of more than twenty multi-media paintings from the artist’s ongoing series “I, my, me, cloud” (2018–)...
Days of Future Passed - Photographs by Florence Iff | Text by Marigold Warner | LensCulture Feature Days of Future Passed Collecting photos from her daily life, the Internet, newspapers, and free image libraries, Swiss photographer Florence Iff amalgamates vast webs of organisms, structures, and scenes into a portrait of a planet in crisis...