Cumulonimbus capillatus incus
2008 - Sculpture (Sculpture)
42.7 x 42.7cm
Evariste Richer
Cumulocumulonimbus capillatus incus functions on the mode of a mise en abîme: it is a cube composed with 8000 dice. The work plays with chance, each installation produces a renewed visual combination. Robert Filliou said that Eins. Un. One… (16000 dice spread on the floor, 1984) “can materialise, materialises and will materialise with no limit to the most diverse forms or combination of forms.” Richers’ sculpture acts like an encoded and pixellated image of an individual according to different layers of meaning: the weight of the work is equivalent to that of an average man (76kg); the colours of the dice recall those used in diagrams representing a codified human DNA; every choice that mankind has to make could be imagined as a roll of dice. The title of this sculpture refers to a cloud that provokes very destructive hail and thunderstorms. The sculpture is as fragile and threatening as this meteorological phenomenon – dislocation and explosion loom. In his work, the artist creates assocations between dice, hailstones, meteorites. Different levels of meaning (mankind, the cliCmate, games) are crystallised in this artwork according to concatenation logic that creates a whole. The artist links the individual and the atmosphere, microcosm and macrocosm, in a manner close in spirit to the sociologist Edgar Morin’s concept of complexity (etymologically meaning “what is woven together”), as a web of interlacing.
Evariste Richer constantly invents new standards for measurement which are mostly objects to prompt the spectator’s potential investigations: avalanche probes, a meter drawn from memory, a meter with no measurements… Meteorology, science, magic, mineralogy, photography, optics are his preferred terrains. The artist reveals meaning through displacements, changes of state such as the physical occurrence of sublimation (matter transforming from solid to gas). In Ecran (Screen, 2008), the weave of a projection screen is blown-up full-scale and takes over the entire room. Evariste Richer makes visible these micro perforations which are usually hidden by the film being projected; he reveals the infra small and ghostly. Blow up (2003), a tennis ball which has been turned in on itself, could stand as an allegory for sedimentation and concatenation. The concentration of meaning and gesture produces the artwork. The constant shifting between the cosmic and the infra small brings together knowledge and observation, certainties and the poetry of art. A piece from a meteorite can become a dice ( Médéorite , 2008), a dice turning at high speed can become an illustration of the energy principle ( Le grêlon noir /The Black Hailstone, 2008). Crystallisation – which was defined by Stendhal as feelings born in the imagination that become attached to an object to transfigure it – is the base of Richer’s work. Evariste Richer was born in 1969 in Montpellier, France. He lives and works in Paris.
Colors:
Related works sharing similar palette
© » ART & OBJECT
9 Picks from New York’s Major Fall Auctions | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ARTS EQUATOR
Transcultural Lullabies: Rohingya and Malay folksongs | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 6, 2020 Rohingya poet Mayyu Ali and Malaysian artist Sharon Chin collaborate in this meaningful project that looks at Rohingya and Malay lullabies and folksongs...
© » ROYAL ACADEMY
Video: meet the artists of the Young Artists' Summer Show 2023 | Blog | Royal Academy of Arts Gallery view of the Young Artists’ Summer Show 2023 at the Royal Academy of Arts, London © Royal Academy of Arts / David Parry Video: meet the artists of the Young Artists’ Summer Show 2023 Read more Become a Friend Video: meet the artists of the Young Artists’ Summer Show 2023 Published 28 July 2023 Hear from some of the artists in this year’s Young Artists’ Summer Show as they tell us the stories behind their works selected for display at the RA...
© » KADIST
Jean-Charles de Quillacq
2013Adam is an emblematic work within Jean-Charles de Quillacq’s oeuvre...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: The relevance of "Soi Cowboy"; Malaysia's Zen Cho wins Hugo Award | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Illustration by Jared Downing | Frontier August 20, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » LE MONDE
Sélection galerie : Sophie Vigourous chez Jousse Entreprise Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « 8 of Cups » (2022), de Cecilia Granara...
© » SLASH PARIS
Philemona Williamson — The Borders of Innocence — Semiose Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Philemona Williamson — The Borders of Innocence — Semiose Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Philemona Williamson — The Borders of Innocence Exhibition Painting Philemona Williamson, A Pause Requested, 2020 Courtesy de l’artiste et galerie Semiose, Paris Philemona Williamson The Borders of Innocence Ends in 19 days: November 18 → December 30, 2023 In her more than four decades-long distinguished career, the American artist Philemona Williamson has created an evocative and compelling body of work that she describes as “visual poems.” Through the veil of personal memory, Williamson’s opaque narratives recall the beauty, drama, and vagaries of innocence...
© » KADIST
Nina Könnemann
2015For many years, Nina Könnemann has placed a camera before a billboard situated in the suburb Neukoln in Berlin...
© » KADIST
Nicolas Bacal
2008Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...
© » SOUTH CHINA MORNING POST
Giant Rubber Duck artist on why size matters – ‘instead of us looking at it, it is now looking at us’ – and his miniatures on show in Seoul | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Dutch artist and “Rubber Duck” creator Florentijn Hofman in Hong Kong in June 23 for the return of his giant inflatable artwork to Victoria Harbour, this time with a twin...
© » HYPERALLERGIC
University of Florida Offers a Funded MFA in Studio Art Skip to content Natalie Novak, “Levitate (ʇɐolɟ ǝǝɹɟ)” (2023), synthetic nylon tulle, fluid acrylics, gloss medium, thread, air, inflatable blowers; potions made from expired makeup pigments, lotions, shampoos, hair gel, bath bombs, vaseline, nail polish, baby oil, wax, imitation pearls, iridescent beads (photo courtesy the artist) The University of Florida (UF) offers a three-year, full-tuition, stipend-funded MFA degree ...