The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute. These are views of the Amazon forest. The photographs are cut following an optical illusion pattern called “reversible cubes” or “tumbling blocks”, based on the Necker cube, a multistable object of psychophysics that is constantly switching perspectives. This oscillation is similar to the shaman in his ability to move between human and non-human points of view.
Rometti Costales is an artistic collaboration between Julia Rometti and Victor Costales that began in 2007. Their research has led them to South America, and particularly Brazil and Ecuador, where Costales has also lived. During their research trips, the artist duo develop a form of attention to the environment, traditions, and micro-histories of the places they visit. Their work is based on their personal readings of environmental and cultural situations and an understanding of philosophical and anthropological debates on the relationship between nature and culture.
Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures...
In the performance video Vitrina , María Teresa Hincapié stood inside a storefront window in downtown Bogota, unannounced, for eight hours a day, wearing a uniform and initially carrying out cleaning chores...
Combined into a single two-channel HD video, Li Xiaofei’s Ponytail and Chongming Island II are silent portraits of the women assembly line workers at a Chinese kitchenware factory...
The Wings by Pichet Piaklin is a creation story of fragility, where the desire for freedom is mired in blood red by the inculcation of faith and violence...
Tomorrow by Jung Yoonsuk is a two-channel video installation, observing the two different sites of factories, one in the mannequin reform factory in Seoul, Korea, and the other in a sex doll factory in Shenzhen, China...
Twilight Oddities, Real Nightmares, Queer Errands, and Other Daydreams: The Gothenburg Biennial | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Singapore Street Art: The Legal Rebels (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Not Safe For TV June 24, 2020 Artist Sam Lo gained notoriety in 2012 after getting arrested for stencilling the phrase ‘My Grandfather Road’ on a public road...
Hyunjin Kim on Frequencies of Tradition Wednesday, April 6, 2022, 7.30 pm at California College of the Arts Hyunjin Kim, KADIST’s former Lead Curator for Asia (2017-2020), will discuss Frequencies of Tradition , the culmination of an eponymous series of exhibitions and programs initiated by KADIST in 2018...