Converting

2014 - Drawing & Print (Drawing & Print)

Zai Kuning

Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago. They were Christians and pagans that were often oppressed by the majority Muslims in the Riau community and were eventually forced to convert to Islam. Zai conveyed this history in Converting through the stark contrasts of red, white, black. Bound together by an island-like black earthy mass, white bubbles resembling clusters of embryonic cells or a sack of seeds marked with different religious symbols in blood red in the center, some with Christian crosses, some with Islamic crescents, with others remaining indecipherable or blank. The protective medium of beeswax forms a translucent layer on the painting’s surface, indexing the way nature ensured Riau’s survival of disasters caused by outside factors beyond their control.

Zai Kuning is one of Singapore’s leading avant-garde practitioners. He refuses to categorize his work, and his output crosses multiple disciplines including painting, drawing, sculpture, installation, film and video, experimental sound, and performance. His practice often examines the concept of the “tortured body,” and many of his pieces explore the relationship between somatic experiences and language. He founded the Metabolic Theater Laboratory (MTL) in 1996 to examine the relationship between physical movements and language in Southeast Asian rituals. After disbanding the MTL in 2001, he returned to individually defined practices such as solo performance, writing, sound, and research. His most recent work responds to histories of indigenous people in Singapore and Indonesia including the Orang Laut and Dapunta Hyang Jayenasa.

Colors:

• autochthonal.s.01
• community.n.01
• religion.n.02
• oppression.n.01
• symbolism.n.01
• culture.n.01
• abstract
• assemblage
• contemporary faux naïf
• singaporean