12 x lengh variable x 10 cm
In Michel François’s work, « it is the real, physical and emotional experience that stimulates creation which is therefore highly charged with a vital force. There lies also the profoundly and clandestine figurative nature of his work » (Guillaume Désanges). Contamination is a constant in Michel François’s work. Contamination (Pommes) starts from the observation of a rotten apple that contaminates its healthy neighbor. This can be perceived as a classical sculpture, due to the manual labour involved – the apples are wooden sculptures – and the theme of a still life, but this work is also a three-dimensional drawing that gives the impression that the still life has managed to get away… It leaves an imprint on the wall in the form of a trail of burnt charcoal marking the passage of time in space thus referring to entropy and paradoxically to the living.
Michel François’s installation practice is intended to be hybrid; it disguises and manipulates materials and processes from other mediums, including photography, video, sculpture, performance, and drawing. Finding himself without a studio at one point in his career forced François to experiment directly in the exhibition space. Disrupting perception, he creates proliferating installations on site, where order and chaos collide with high and low culture references, appropriation, and the dichotomy between the natural and artificial. François’s work is part of a vast system of analogy, beginning with intimate images or anecdotes that are translated into materials, through modes varying from highly sophisticated to blatantly raw.
4 Things That Happened in the Asian Art World This Fall | Artsy Skip to Main Content Advertisement Art Market 4 Things That Happened in the Asian Art World This Fall Hilary Joo Dec 4, 2023 4:17PM In the first of a new quarterly series, we hear from Hilary Joo, a Seoul-based sales manager and gallery partnerships lead at Artsy, for her thoughts on what has happened in the Asian art market this quarter...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
sommaire du n°518 - février 2024 - artpress 22 janvier 2024 In AP Print , artpress , artpress mensuel , sommaires sommaire du n°518 – février 2024 > COMMANDER LE NUMÉRO Vous êtes abonné(e) ? Retrouvez les offres de notre club pour février par ici ! Édito 5 Le paradoxe des Frac The Frac Paradox Étienne Hatt INTRODUCING 6 Vincent Chéry Jeanne Mathas Chroniques / Columns 11 L’art immersif, oui, mais lequel ? Immersive Art, Yes, but Which Kind ? Paul Ardenne 15 Pour une histoire en abîme de la photographie For a Metahistory of Photography Étienne Hatt 18 Art en pochette Record Sleeve Art Philip Glass / Sol LeWitt Philippe Ducat Actualités/Spotlights 20 Matthieu Laurette, rétrospective dérivée Matthieu Laurette, Retrospective As Derive Alexandre Parodi 23 Jean-Kenta Gauthier, dé-définition d’une galerie Jean-Kenta Gauthier, The De-Definition of a Gallery Étienne Hatt 26 Jonathan Glazer, des images malgré tout Jonathan Glazer, Images in spite of All Jean-Jacques Manzanera DOSSIERS 30 GRANDE INTERVIEW Pier Paolo Calzolari, la recherche de l’absolu Pier Paolo Calzolari, The Quest for the Absolute Introduction par Barbara Satre Interview par Guillaume de Sardes 40 Hiroshi Sugimoto, le temps exposé Hiroshi Sugimoto, Time Exposed François Jonquet 50 Bernard Gaube, peintre polymorphe Bernard Gaube, A Multifaceted Painter Interview par Camille Debrabant 55 Images opérationnelles, une histoire de la photographie élargie Operational Images, an Extended History of Photography Interview de Estelle Blaschke et Florian Ebner par Aurélie Cavanna 62 Entre Détroit et Moscou, une autre histoire de l’architecture industrielle Between Detroit and Moscow: Another History of Industrial Architecture Christophe Catsaros 69 expositions / reviews popular Unbound: Performance as Rupture Jasper Johns No Feeling Is Final Josephine Pryde Vincent Mauger Claude Viallat Mira Schor Antony Gormley Sara-Vide Ericson Dario Villalba Vincent Dulom Renaissance sauvage Louis Cane 82 agenda 85 livres Pourquoi Sollers en temps de détresse Alexandre Dumas, après tout Rudyard Kipling, quel que soit mon âge Christophe Bier, remuer la merde qui est en nous Les Labyrinthes, dans les méandres de l’esprit Bernard Sève, comparer les arts Gilles Deleuze, ce que la peinture apporte à la philosophie Seiichi Furuya, après, avec William Friedkin, Paul Schrader, les démons 96 Comptes rendus 98 Le feuilleton de Jacques Henric Pierre Jourde, Philippe Collin À venir, artpress n°518, février 2024 Interview Hélène Delprat Bertrand Bonello, Bruno Dumont Dossier : Ukraine, l’art dans la guerre Post-Performance Carrie Mae Weems Thomas Adès Chantal Montellier Couv...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
In Akira Takayama’s work Happy Island – The Messianic Banquet of the Righteous , five video screens perpendicular to the floor feature footage of cows grazing and resting in the rolling hills of a farmland...