Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints. Though simple, each contains a nested stack of historical and self-referential quotations. Both black-and-white prints depict a version of Ligon’s 1988 painting, Untitled (I Am A Man) , which declares the words of the parenthetical in blocky black letters. Ligon’s painting, of course, is itself a reappropriation and, in some ways, a reproduction. Based on the simple, declarative protest signs carried by sanitation workers in Memphis, Tennessee during the height of the Civil Rights Movement, Ligon’s painting recontextualized this now-iconic object as a work of art. While the print on the left of Condition Report directly mirrors Ligon’s 1988 painting, the print on the right of the pair includes marks, scribbles, and hand-written notations around the edges and borders of the image. These additions to the work are the condition report notes of the title, and refer back to the 1988 original—though this time not as it existed as a symbol of a historical event, but as it exists in the present as a rarified art object. Tracing a simple phrase—I AM A MAN—through these iterations as declaration, symbol, object, and surface, Ligon levies questions of representation and race, commodification and history, and the value and preciousness of one’s identity.
American artist Glenn Ligon is well known for his conceptually based works in paint, neon, photography, sculpture, and video. He draws upon American history, literature, and other sources to create works centered on the black American experience. Ligon filters through cultural sources to create compositions that highlight social inequalities, commemorate struggles, and point fingers at hypocrisy. Rendered in neon, through paint, and in other media, Ligon often draws out the words of others—be they the sanitation workers who protested in Memphis, Tennessee, with signs declaring I AM A MAN; or the controversial and confrontational Richard Pryor, whose jokes become electric letters on Ligon’s canvases.
Arthur Tress Sought the Shadow Side of Photography Skip to content Arthur Tress, "Boy with Root Hands, New York, New York" from the series The Dream Collector (1971) (all photos Ksenya Gurshtein/ Hyperallergic ) LOS ANGELES — The earliest recorded evidence of humans’ fascination with dreams dates to antiquity, when Heraclitus wrote, “When men dream, each has his own world...
In her work, Maids Room (2012) which is part of a series, Daniela Ortiz undertakes an architectural analysis of the houses belonging to the upper class of Lima...
El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade...
White Corner (2006) is a video installation, projected on two protruding perpendicular walls...
Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...
Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa...
Breaking Isolation and Building Bridges | KQED Skip to Nav Skip to Main Skip to Footer Rightnowish Breaking Isolation and Building Bridges Listen Pendarvis Harshaw Marisol Medina-Cadena Dec 15 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link The art of building bridges in the community...
The 2024 Puppy Bowl: Team Fluff, Team Ruff Go Head-to-Head | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List The 20th Annual Puppy Bowl Pits Team Fluff Against Team Ruff — and Everyone Wins Mark Kennedy, Associated Press Feb 7 Save Article Save Article Failed to save article Please try again Email Some of the adorable participants in this year's Puppy Bowl...
FALL HITS: a variety show in sound & vision Hosted by Irwin Swirnoff Saturday, September 23 , 6–8pm, doors 5:30pm / Free Filmmaker, writer, and curator Irwin Swirnoff hosts an evening of sound & vision with Bay Area musicians & performers Idris Ackamoor, Marielle V Jakobsons, Viet Lê, Bongz Nguyen, Samantha Weinert, and Wizard Apprentice...
Shaun O’Dell’s paintings, installations, videos, sculptures, and music explore the overlapping realities of human and natural structures...
Reflections on the Sight/Unseen Asian Drama Conference | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Che-Min Hsieh September 20, 2018 By Benedict Leong (1700 words, 10-minute read) The Sight/Unseen Asian Drama Conference was a two-day event on 26 – 27 April 2018 at Goldsmiths, University of London, and Tara Arts ...
Bertrand Dezoteux — Projection de Harmonie — L’ahah Griset — Cinema — Slash Paris Connexion Newsletter Twitter Facebook Bertrand Dezoteux — Projection de Harmonie — L’ahah Griset — Cinema — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Bertrand Dezoteux — Projection de Harmonie Cinema Dessin, film À venir Bertrand Dezoteux, Harmonie (épisode 1), 2018 Film d’animation Courtesy Galerie Anne Barrault, Paris Bertrand Dezoteux Projection de Harmonie Dans 4 jours : Vendredi 16 février 2024 à 19:00 Bertrand Dezoteux Projection de film : “Harmonie” Le 16.02.24 à 19h L’ahah #Griset 4 cité Griset, 75011 Paris Projection du film de Bertrand Dezoteux, Harmonie, suivie d’un échange avec Bernard Gaube modéré par Camille Debrabant, commissaire de l’exposition « Hunimalité »...